Aside from the obvious “it’s a masterpiece, the movie event of the last decade, a fitting tribute to J.R.R. Tolkien and the art of moviemaking”, there are a lot of reasons to re-visit The Lord of the Rings Trilogy (Extended Editions, natch). As well as helping you get psyched up for the ridiculously generous portions of tasty Hobbit action that Peter Jackson has spooned onto our plates this Christmas and the following two, the hirsute director’s original, triumphant journey through Middle Earth will thrill and chill you in all sorts of ways.
It’s really impressive how Jackson and his team managed to distill Tolkien’s sweeping epic into something striking, coherent, and (relatively) fast-paced (a genuine page-by-page adaptation would have been about twenty hours long, after all), building to thunderous dramatic climaxes. However, what stay with you are the individual scenes and moments, the dazzling visual flourishes and character beats that make the trilogy timeless.
In rough order, a HIGHLY PERSONAL AND SUBJECTIVE list of those moments follows below.
20. Aragorn Recruits the Dead
A truly creepy sequence, especially in the Extended Edition, where Aragorn, Legolas and Gimli have to wade through an immense waterfall of brittle human skulls to escape the collapsing lair of the Army of the Dead. Aragorn attempts to gain the service of these ghostly killers, who fled their responsibilities and were cursed with eternal living death for their cowardice, by promising them the peace of a final reward in exchange for honouring their oaths of service to the King of Gondor.
At first, it seems that the leering, sickly-green spectre of the King of the Dead has spurned Aragorn’s offer, and Isildur’s Heir sinks to his knees, weeping manly tears, as he sees the Corsairs of Umbar on their way to deal the deathblow to Minas Tirith. All hope for Gondor seems lost, when the Dead King emerges out of the mountainside and rasps, “We fight!” It’s a real boost to Aragorn’s standing; he’s been recognised as the rightful King of Gondor, foreshadowing his ultimate embrace of his destiny.
19. The Mouth of Sauron
A short scene, absent from the Theatrical Cut, noteworthy for heightening the desperation and near-despair of the Free People’s darkest hour. The Mouth of Sauron is portrayed as a memorably grotesque creation, an unsettling parody of humanity with a gruesomely malformed and befouled mouth. Mocking Frodo’s friends with apparent evidence of the brave young hobbit’s apparent capture and agonising death, the Mouth makes a sinister, skin-crawling impression in the moments before Aragorn (rather dubiously) hacks his head off. Of course, this makes Aragorn’s steel-willed insistence on shrugging off overwhelming despair and meeting Sauron’s hosts in battle anyway gives another boost to his heroic aura.
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8 Comments
Reading through this article makes me want to break out the trilogy right now and waste the rest of the day… And by waste the rest of the day, I mean, make my day triumphant.
Moments may divide opinion, of which there are many epic moments, but you have justified your choices incredibly well.
Wheres Aragorns speech at the black gate!!!!
The scene of the victory ceremony in gondor at the end of rotk is also great, when the hobbits go to bow to Aragon ‘no my friends, you now to no one’
You missed out the ultimate Aragorn “hero shot” when the plunges open the doors at Edoras after returning from that fall over the edge!!
Why don’t you come up with a Stupidest Moments list? Here’s a few starters:
Merry and Pippin stealing fireworks (and vegetables and then deciding on a whim to go on a quest)
Gandalf and Saruman having a wizard fight reminiscent of the The Raven (look it up)
I could go on as there are dozens more.
my favourite scene is when frodo is being carried by the eagle. it is beautiful
Great list, and couldn’t agree with the top spot choice more.
Funnily enough, when watching ROTK the other night with my family, I picked out Sam carrying Frodo as the best moment of the whole trilogy, so it was a happy coincidence to see it listed as such here.
Nice list, agree with just about all, although I still contend the theatrical versions were about 98% definitive cuts, with the respective extended editions indulgent in the extreme, consisting of little more than twelve minutes at most (and that’s only for ‘…Towers’) of material worth including in the films… because a scene is interesting does not mean it automatically has merit for inclusion, the Mouth of Sauron sequence is just such an example; an excellent scene but an unnecessary one that has no real bearing on the grand narrative and should have been left for a separate deleted scenes section on the DVD and eventual Blu Ray release. In my opinion, Peter Jackson could easily have made single, definitive cuts for each film, each lasting the following running times;
‘The Fellowship of the Ring’ – 180 minutes (2 mins longer than theatrical version).
‘The Two Towers’ – 187 minutes (8 minutes longer than theatrical version but with Aragon/Arwen dream and Rivendell flashback scenes cut).
‘The Return of the King’ – 206 minutes (5 minutes longer than theatrical version).