The Dark Knight Rises is the final part of Christopher Nolan’s Batman saga. Known for his dark approach to the iconic superhero and intricate storylines, Nolan’s Batman universe rose as the golden standard for the superhero movie. After the record-breaking success of The Dark Knight, the sequel quickly found itself in the dreaded and often-cursed position of trilogy-ender. However, fans remained confident and practically threw their faith in Nolan’s inability to produce a below average movie.
The Dark Knight Rises was purely epic. It wasn’t without its flaws, but the final product was clear in its darkness. The inter-weaving storylines and twisted characters left little to be desired as every ounce of Nolan was worked into their being. With almost three hours worth of film, the sense of controlled chaos that Nolan is known for crept itself to a shattering climax – or five. With so many pivotal moments, to name only five is to do Rises a disservice, but looking into the themes of the movie, here are the five scenes that made it.
You only adopted the darkness – in the form of spoilers. This article was born in it.
5. Bane’s Attack On The Airplane
The introduction of the key villain is arguably the most important aspect of a film as it sets the tone by revealing the sense of conflict the protagonist will resolve – or in some cases, fail to resolve. The construction of this scene usually involves a successful ploy that gives insight on the villain’s often psychotic intentions with terror being the source and outcome from this perceived opposition. Bane’s introduction was no different and was beautifully crafted in the smallest of details.
The second Bane spoke, the entire feel of the movie shifted into fear. The echoing voice and the sheer theatricality immediately set Bane to be the worst kind of villain – a clever one who was not bent on revenge, but intention. The audience knew Bane was set up to succeed, but how it would play out made the introduction all the more effective.
Once his cover was revealed, he controlled the scene. He was the scene and he was real. His plan, his fury, and his chaos spread throughout the tiny plane cabin instilling pure fear and claustrophobia. To end it all, Bane told – not commanded – his lackey to stay behind on the ill-fated plane. When his lackey smiled back with blind faith, terror took its place.
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5 Comments
Yup, I basically am saying that. Like the previous movie, The Joker made the perfect villain. Bane was a real threat…until, like you said, the movie forgot about him and suddenly everything seemed less epic.
Yeah,I didn’t much care for Bane’s death, but it’s not like it ruined the movie for me. It was basically established that Batman overcame his obstacle and beat Bane. The only reason Bane was still in the scene after the fight was for The torch to be passed to Talia. So in effect, Bane’s purpose had passed.
His death kinda sucked, sure, but they were moving the story past the main villian, just like they did with Joker in the last film.
If that was Nolan’s goal then he failed. Batman really wasn’t in the film anywhere near enough to succeed in this.
Just some thoughts, I LOVED the ending with Bane and how they humanized him. You see him as a deeper person rather than just simply the bad guy. I don’t consider it ‘trivializing’ him at all even though it is revealed that he is working with Talia and grew up with her and they share an agenda. It showed a more personal and emotional side to him that I felt strengthened his character in exactly the way he needed, darkness, tragedy. I’ll agree Catwoman’s quick blast was abrupt and simple, but his ‘death’ scene is really those last few minutes with him, and I think it’s actually one of the strongest conclusions to any of the villains in the trilogy.
Yeah, I do agree that Bane’s death was pretty dumb given the fact he was the main villain for the movie. Plus, the Talia reveal felt very shoe-horned and she didn’t really do much afterwards before she died an equally crappy death. I would rather it be revealed that Talia and Bane were partners and that she was the morally ambigious character she was in the comics as opposed to being a psycho with daddy issues. They could have at least have Catwoman and Talia fight to the death to make things more interesting.