Queens Of The Stone Age - '...Like Clockwork' - Track By Track Analysis

The Vampyre of Time and Memory €˜Vampyre€™ is a bout of fizzing piano-led poetry €“ delivered in alarmingly Bowie-esque vocals €“ which simmers and splutters towards a heartfelt crescendo, layered with the first spat of Homme€™s newfound lyrical ambiguity. The first song written after his aforementioned near-death experience, there are some dark and isolated themes buzzing around here, €œI've survived, I speak. I breathe, I'm incomplete / I'm alive, hurray, you're wrong again coz' I feel no love€ and it€™s intriguing and brave new territory for Homme. A steadily paced but lush and melodic dream sequence in this often nightmarish masterpiece. If I Had A Tail Lyrically bizarre and musically bone-crunching, €™If I Had A Tail€™ is a strange little song strung together by metallic hooks which has some fantastic moments that certainly grow on you with repeat listens. Mocking throwaway pop with lines €œGitchy, gitchy, ooh la la / Do run run, you won€™t get far€, it€™s up there with the opener as one of €˜€Like Clockwork€™s angrier moments. Spot the creepy drowned-out a capella guest slot from Mr Alex Turner at the end. My God Is the Sun If you were to take the archetypal hard rock Foo Fighters formula and strip it to its very core then rebuild it with more in mind than just meat and potatoes radio-pleasing €“ this is the barefaced, knuckleduster riot you€™d be left with. Rough and ready from the very start, it benefits from the unorthodox instrumentation backing up the monumental central riff €“ twelve-string guitars, Moog synthesizers and maracas all chip in to elevate this from generic lead single teaser fare to a genuine highlight of the record.

Contributor
Contributor

A mythical hedonist, a chronic solipsist, a poet armed with a mouth full of adjectives, a brain full of adverbs and a box full of laxatives. Writing words in a language that isn't real to impress people that I invented since The Big Bang.