Slipknot - We Are Not Your Kind: Every Song Ranked From Worst To Best

The best Slipknot record since Iowa? Quite possibly.

Slipknot We Are Not Your Kind
Roadrunner Records

Slipknot are back.

Five years after their last studio release, the Iowan ninesome have returned to metal's forefront with We Are Not Your Kind - an album brimming with rage, power, experimentation, and life.

Corey Taylor promised an album that pushed the band's core sound to its limits without breaking them entirely. In June, he told BBC Radio 1's Daniel P. Carter that "there has to be a touchstone. You can go as far out as you want, but you have to be able to pull them back to the feeling that made them fans in the first place." An experimenting band's identity must remain intact, basically. Slipknot have accomplished this on WANYK.

It's the band's strongest record since 2004's Vol. 3: (The Subliminal Verses) and one that absolutely belongs alongside self-titled and Iowa in the career-best conversation. It is the sound of a band rebounding spectacularly from two disappointing releases, and recovering much of their lost menace on a brawny, beautiful record sure to finish high on many an Album of the Year list.

Far more than a mere collection of tracks, WANYK is a rich, cohesive, full-album experience. This makes separating its songs tough, so buckle up...

14. Death Because Of Death

Ranking We Are Not Your Kind's interludes against full-length songs is tough. They exist to bridge gaps, not stand out on their own, and that almost necessitates their low positioning.

"Death Because of Death" works. It serves its purpose. It takes WANYK from the ugliness of "Birth of the Cruel" to the crushing, arena-sized "Nero Forte" seamlessly and while it doesn't stand out, it wasn't calibrated to.

Starting off sounding like a strangled 16-bit videogame soundtrack, it soon gives way to tribal drums and the haunting "death because of, death because of you" mantra. It maintains the album's overall tone in a way that may not have been possible had the tracks before and after fed into each other directly.

But it's still an interlude.

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Andy has been with WhatCulture for six years and is currently WhatCulture's Senior Wrestling Reporter. A writer, presenter, and editor with 10+ years of experience in online media, he has been a sponge for all wrestling knowledge since playing an old Royal Rumble 1992 VHS to ruin in his childhood. Having previously worked for Bleacher Report, Andy specialises in short and long-form writing, video presenting, voiceover acting, and editing, all characterised by expert wrestling knowledge and commentary. Andy is as much a fan of 1985 Jim Crockett Promotions as he is present-day AEW and WWE - just don't make him choose between the two.