Doctor Who: 12 Greatest Master Moments Of All Time
12. I Am Usually Referred To As The Master
Roger Delgado’s winning mix of suave and sinister was
immediately evident from his very first entrance. Terror of the Autons is an
indulgent collection of set pieces that don’t necessarily add up to a cohesive
whole, and what with the fake policemen, hungry faux leather chair, animated
troll doll and deadly telephone wires, this gem of a scene is often overlooked.
Without breaking a sweat, the Master takes control of circus
master Rossini’s body and mind. Assuming the stranger to be a conjurer
auditioning for work, the self-proclaimed international entrepreneur dismisses
the Master’s claim to be universally feared. He receives short thrift, with the
delicious “primitive human” insult.
Riled, the circus master then shows his true colours by
threatening to assault the Master, only to end up being held by a superhuman
grip. The incidental music is the only clue that Rossini is being hypnotised,
so effortless is the Time Lord’s power. Finally, with a nonchalant click of a
finger his new puppy meekly follows.
The viewers have no idea at this stage who the man in black
is, but already we too are under his spell.
Paul Driscoll is a freelance writer and author across a range of subjects from Cult TV to religion and social policy. He is a passionate Doctor Who fan and January 2017 will see the publication of his first extended study of the series (based on Toby Whithouse's series six episode, The God Complex) in the critically acclaimed Black Archive range by Obverse Books. He is a regular writer for the fan site Doctor Who Worldwide and has contributed several essays to Watching Books' You and Who range. Recently he has branched out into fiction writing, with two short stories in the charity Doctor Who anthology Seasons of War (Chinbeard Books). Paul's work will also feature in the forthcoming Iris Wildthyme collection (A Clockwork Iris, Obverse Books) and Chinbeard Books' collection of drabbles, A Time Lord for Change.