rating: 4Ive been a Dexter fan since its pilot. Ive previously written about how powerful that episodes first scene was in terms of establishing a strong protagonist capable of carrying some serious narrative weight. The series has had its ups and downs since then, but this seventh season in particular has brought the show from its lowest point to one of its highest ever. The question of how to compensate for the loss of Isaak Sirco in terms of pacing had been around after his incarceration midseason and has been brought up again much more pressingly since his death. While some viewers may be tired of seeing Dexter try to find love, after Whatever Im fully convinced Hannah has earned her keep on the series as a character worth carrying an arc. Whereas Isaak drove much of the action of this season, much of his thematic heavy-lifting transferred a lot of weight from Deb to Hannah in terms of how love, from familial to romantic, influences ones identity and the actions one may take in its service. In his review of the last episode, Helter Skelter, at The A.V. Club, Joshua Alston posits that this season may, in light of Isaaks departure, focus on Dexter finally Feeling His Feelings finally letting the character fully recognize those emotions which he experiences as legitimate human feelings as opposed to the dull, watered down semblances of emotion hes perceived himself as having his whole life. I believe this to have been an accurate prediction in that Whatever was entirely concerned with responsibility; the acceptance and ownership of the good, the bad, and the ugly. Whatever opened with Hannah genuinely trying to get to the bottom of Dexters Dark Passenger until shes interrupted by a visit from her dirt bag father, played with just the right amount of hokey affection belying a selfish, toxic core by Jim Beaver of Deadwood, among other works. What follows is the same type of discussion that preceded the interruption one of personal ethics, what has been a motif of the series since its beginning, but one which has only been touched on in spurts, never for an explicit, extended amount of time. But by contrasting the obviousness of the desire to remove Hannahs father from this world with her inability to cross the boundary of patricide, the episode brings to the forefront the value of a personal code when it directly obscures a powerful self-interest. Dexter experiences this conflict when he takes his aggression for Hannahs father out on the Phantom Arsonist. I dont think anyone watching the last couple episodes of Dexter felt any kind of optimism regarding this new element as it felt like an awkward kill of the week inserted to somehow replace Isaak Sirco as a persistent threat or activity to fill the void. As it turns out, this plot element (thankfully) wasnt designed to distract Dexter into the finale, but rather function as the catalyst for Dexter recognizing his own desire to kill Hannahs father, not the arsonist. In realizing this, Dexter has essentially forgone his Dark Passenger entirely. While it seems this may have also gotten Ghost Harry axed (score!), abandoning such a key component of Dexter as a character is risky. Ever since Rita confronted Dexter about framing Paul for a parole violation via heroin use and sent him to Narcotics Anonymous, Dexters Dark Passenger has been likened to an addiction or at least something outside his control. This was touched on again in the first half of the sixth season through Dexters half-assed flirtation with religion. By reconciling this uncontrollable urge to kill with his own personal values and priorities, Dexter has hopefully at long last quelled the source of so much internal conflict by abandoning The Code. Dexter is no longer a fractured self. Hes struggled with upholding The Code throughout the series, often making exceptions or bending the rules as he saw fit. This tension should no longer exist as Dexter has admitted to having fabricated the Dark Passenger and can now carry on as a more cohesive, confident mass murderer. The Code has long since been a bit of a joke. In casting off his adherence to his fathers rules for survival, Dexter has matured, albeit into a much more self-possessed and potentially less upstanding citizen. But is that really a bad thing? Did we boo Dexter when he took out Nathan the pedophile from season three because he wasnt technically a killer? The same applies to the Barrel Girl rapists. And what about the detective Quinn hired to shadow Dexter? Or the unlucky loudmouth who spoke ill of Rita while Dexter was in mourning in that dusty gas station? How about the motel clerk who tried extorting Dexter during his season six road trip to Nebraska? And just as hes let slide Hannahs adolescent discretions, so too did Dexter release the teenaged boy from the season one episode, Popping Cherry. Dexters played fast and loose with The Code for years and thats because hes outgrown it. The Code was designed to help him survive, but Dexter has pretty much graduated from survival as a serial killer and Im glad the series has acknowledged this and is ready to move forward without the gimmick. Dexters Dark Passenger has always made things too neat on Dexter. Its okay that hes killed scores of people, they were bad he has a code! Alright, kids. But what about the adults who want to watch a character whom isnt so morally clean cut? Ive always wished the series would more directly confront the less gallant or traditionally heroic aspects of Dexter and deal with the fact that our protagonist enjoys chopping up people of whom he disapproves. By the way, apparently in the book series from which this show was originally adapted, Dexter straight tortures his victims this is the type of Brett Easton Ellis weirdness I want in a series about a serial killer protagonist, something truly challenging and something that maybe the show will actually explore in its final season next year. Which brings me to the rest of the episode. Debs more or less made peace with Dexters extracurricular activities and having finally expressed and had addressed her romantic feelings for Dexter, shes determined to follow through with the new boundaries shes created for her life in terms of duty to herself and to her job which means doing whatever she can to make sure her brothers new killer girlfriend gets locked up. Maybe made peace isnt exactly the right phrase I shouldve used, but the final shot of Whatever cements Dexters last obstacle of the season dont get caught (again). And the thing is I dont think hes going to get away with it. If Deb nails Hannah like she hopes and LaGuerta and Matthews find cause to put real effort into confirming Dexter as the Bay Harbor Butcher instead of just talking about it all season, then season eight Dexter could very well find the killer on the run with no Code, no Passenger, no family, no love just his survival instinct and a whole lot of frustration what sounds to me like a very compelling final season. However, if Matthews and LaGuerta do become absolutely convinced of Dexters guilt, theyll have to convince a bunch of judges and lawyers to reopen a notorious case based on circumstantial evidence (though it is a lot of circumstantial evidence). My point being, unless Dexter panics and flees which is not out of the realm of possibility LaGuerta will have to catch him in the act, right? Meanwhile, it what has been a seemingly pointless filler plot, Quinn finally shot George dead and tried (probably successfully because we all know how awesome Showtimes Miami Metro is at their jobs) to make it look like self-defense while also letting Nadia the key witness and illegal alien make off with a ton of the clubs cash. Angel lets this happen because hes not one to hold Quinn accountable for anything and Im saying it right now if Angel doesnt retire after clearly becoming dissatisfied with police work and opening his restaurant, you know, a real consequence to all the Angel and Quinn bullshit which has accumulated over the years, then Im convinced the CBS spin-off sitcom Q&A will become reality.
Fed a steady diet of cartoons, comics, tv and movies as a child, Joe now survives on nothing but endless film and television series, animated or otherwise, as well as novels of the graphic and literary varieties. He can also be seen ingesting copious amounts of sarcasm and absurdity.See more from Joseph