10 Pay-Per-View Main Events WWE Could Actually Call The Worst EVER

9. Extreme Elimination Chamber (December To Dismember)

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WWE

Butchering a brand perhaps by design rather than due to the blow-up he'd had with Paul Heyman earlier that day, Vince McMahon assuming control of his third brand's first and only pay-per-view created the commercial justification for rebadging it as a proto-NXT late in the decade.

Mere months before he put the belt on himself, McMahon awarded it to man he presumably still considers to be an avatar for him to this very day. Long before Bobby Lashley was rattling Rusev's wife, he was rattling cages for all the wrong reasons following a w*nky win in a w*nky match.

The Extreme Elimination Chamber required pristine booking to get it over the line thanks to the silliness of weapons being trapped in every pod and half the field being made up of audience-baiting heels, but the company instead ended the top babyface's undefeated streak thanks to the only other babyface in the match and then eliminated him immediately after. CM Punk and Rob Van Dam's early exits were supposed to facilitate space for Lashley to shine, but the emptying/braying audience proffered the worst possible spotlight.

Contributor
Contributor

Michael is a writer, editor, podcaster and presenter for WhatCulture Wrestling, and has been with the organisation over 7 years. He primarily produces written, audio and video content on WWE and AEW, but also provides knowledge and insights on all aspects of the wrestling industry thanks to a passion for it dating back over 30 years. As one third of "The Dadley Boyz", Michael has contributed to the huge rise in popularity of the WhatCulture Wrestling Podcast, earning it top spot in the UK's wrestling podcast charts with well over 50,000,000 total downloads. He has been featured as a wrestling analyst for the Tampa Bay Times and Sports Guys Talking Wrestling, and has covered milestone events in New York, Dallas, Las Vegas, London and Cardiff. Michael's background in media stretches beyond wrestling coverage, with a degree in Journalism from the University Of Sunderland (2:1) and a series of published articles in sports, music and culture magazines The Crack, A Love Supreme and Pilot. When not offering his voice up for daily wrestling podcasts, he can be found losing it singing far too loud watching his favourite bands play live. Follow him on X/Twitter - @MichaelHamflett