10 WWE SummerSlam Secrets You Need To Know About

9. Live-To-Tape

Roman Reigns
WWE.com

Since Triple H brought NXT to the UK for a phenomenally successful tour and TakeOver supercard in 2015, the calls have been louder than ever from British fans for WWE to finally follow on from the phenomenally successful SummerSlam 1992.

The Wembley Stadium showpiece was at the time a glittering reminder of the company's brightest days - enormous crowds responding to performers that had - for one night least - an Andre/Hogan aura about them. It was a shot in the arm for a struggling product, with matches and visuals that would live on for years until the company again rose in stature and back into stadia.

Such was the snail's pace of content nearly three decades earlier, the show wasn't even broadcast to the US pay-per-view audience live. It took three days for it to reach home soil - the very delay that WWE used as the primary reason why such an event could never happen again as the world got online either side of the new millennium. Administration was always going to be trickier, but the likelihood of spoilers until TakeOver: London's aforementioned success completely harpooned British hopes.

Contributor
Contributor

Michael is a writer, editor, podcaster and presenter for WhatCulture Wrestling, and has been with the organisation over 7 years. He primarily produces written, audio and video content on WWE and AEW, but also provides knowledge and insights on all aspects of the wrestling industry thanks to a passion for it dating back over 30 years. As one third of "The Dadley Boyz", Michael has contributed to the huge rise in popularity of the WhatCulture Wrestling Podcast, earning it top spot in the UK's wrestling podcast charts with well over 50,000,000 total downloads. He has been featured as a wrestling analyst for the Tampa Bay Times and Sports Guys Talking Wrestling, and has covered milestone events in New York, Dallas, Las Vegas, London and Cardiff. Michael's background in media stretches beyond wrestling coverage, with a degree in Journalism from the University Of Sunderland (2:1) and a series of published articles in sports, music and culture magazines The Crack, A Love Supreme and Pilot. When not offering his voice up for daily wrestling podcasts, he can be found losing it singing far too loud watching his favourite bands play live. Follow him on X/Twitter - @MichaelHamflett