25 Best Wrestling PPVs Ever

Fifteen years later, is 'Mania X-Seven still the wrestling PPV standard-bearer?

WrestleMania X Seven Poster
WWE.com

The perfect wrestling card, loosely, should follow a simple, proven formula:

A frenetically-paced, unpredictable opener designed to engage, intoxicate and keep the audience guessing, followed by a succession of similarly-paced matches to sustain the momentum - kept to a minimum content-wise in order to not overshadow the feature bouts.

A lengthier match should be slotted in at the midway point to make best use of the incited fever pitch and to reinforce or promote the real and emerging stars - before a designated cool-down match or two is wheeled out to preserve the heat of the main event, which ideally should be imbued with significant, unmissable stakes.

This isn't always the case. One need look no further than 2000-era WCW to see that even a talented roster, when subjected to rudderless direction, is unable to rescue an event from the depths of creative malaise.

Wrestling cards can even be too good - several semi-final matches and main events from recent NXT TakeOver specials have suffered from audience exhaustion resulting from pacing issues.

The shows discussed here, however, are uniformly outstanding, veering across an enviable spectrum of in-ring quality and storyline progression - the absolute best in wrestling's vaunted history...

25. WCW Spring Stampede 1999

WrestleMania X Seven Poster
WWE.com

Best Match: Juventud Guerrera Vs. Blitzkrieg

Worst Match: Scotty Riggs Vs. Mikey Whipwreck

WCW was already practically on its a*rse by spring 1999.

Having resolutely failed to cross the Monday Night Wars finish line at Starrcade '97, the overexposure of the nWo and the over-reliance on decrepit stars of yesteryear, combined with the resurgent and profane WWF youth movement, left the Ted Turner-financed corporation in a distant second place.

The infamous Fingerpoke of Doom in January, which relaunched the nWo precisely when WCW fans had grown most weary of it, sent a clear message: WCW had ran out of ideas.

Spring Stampede '99 was an aberration - but an entirely thrilling one. Showcasing the best of WCW - from a thrillingly inventive and dizzying Cruiserweight opener between Blitzkrieg and Juventud Guerrera to a procession of sterling efforts put forth by the company's loaded, stellar midcard - the show even equalised Goldberg's first loss to Kevin Nash in a match which was better than many anticipated.

The main event, pitting Diamond Dallas Page against Hulk Hogan, Ric Flair and Sting in a Four Corners match, was a lumbering and protracted affair - but that was an accepted drawback to the company which most fans had already made peace with.

Contributor
Contributor

Michael Sidgwick is an editor, writer and podcaster for WhatCulture Wrestling. With over seven years of experience in wrestling analysis, Michael was published in the influential institution that was Power Slam magazine, and specialises in providing insights into All Elite Wrestling - so much so that he wrote a book about the subject. You can order Becoming All Elite: The Rise Of AEW on Amazon. Possessing a deep knowledge also of WWE, WCW, ECW and New Japan Pro Wrestling, Michael’s work has been publicly praised by former AEW World Champions Kenny Omega and MJF, and surefire Undisputed WWE Universal Champion Cody Rhodes. When he isn’t putting your finger on why things are the way they are in the endlessly fascinating world of professional wrestling, Michael wraps his own around a hand grinder to explore the world of specialty coffee. Follow Michael on X (formerly known as Twitter) @MSidgwick for more!