The One Thing WWE & AEW MUST Learn From NJPW

"When you don't have talent, you don't have storylines."

Will Ospreay
NJPW

Professional wrestling will never not be a star-driven business.

WWE have attempted to alter consensus by touting their brand as the draw, not the wrestlers, but keep going back on themselves. Vince McMahon blamed injuries to key performers for WWE's disappointing Q1 financials back in April. "When you don't have talent, you don't have storylines," he told the press, "and when you don't have storylines, you're not going to do that well in terms of live events and television ratings." Regardless of whether Vince's statement is right or wrong, it can be taken as an acknowledgement that stars do still matter to him.

McMahon's star-making procedures have come under intense scrutiny over the past few years. Every metric that matters shows his audience is shrinking. His performers aren't as over as they used to be either, and the WWE machine crafting another Rock or John Cena looks unlikely at the moment. Brock Lesnar is the rule-proving exception. The likes of Becky Lynch, Seth Rollins, and Roman Reigns are big for this era, but not previous eras, and Ronda Rousey's drawing power was created in the UFC.

So if Vince's old methods are failing him, what about the competition?

It's too early to tell how AEW's star-creation efforts will go. The Young Bucks, Cody, Kenny Omega, and co. used graft and ingenuity to get themselves over with smaller crowds, though each is objectively less famous than WWE's headliners (owing, primarily, to their platform). It remains to be seen if these wrestlers can transcend their current level when Dynamite hits the airwaves, or how AEW will build new stars beneath them.

Both American promotions would do well to follow NJPW's example.

CONT'd...

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Andy has been with WhatCulture for six years and is currently WhatCulture's Senior Wrestling Reporter. A writer, presenter, and editor with 10+ years of experience in online media, he has been a sponge for all wrestling knowledge since playing an old Royal Rumble 1992 VHS to ruin in his childhood. Having previously worked for Bleacher Report, Andy specialises in short and long-form writing, video presenting, voiceover acting, and editing, all characterised by expert wrestling knowledge and commentary. Andy is as much a fan of 1985 Jim Crockett Promotions as he is present-day AEW and WWE - just don't make him choose between the two.