5 Fantasy Comic Book Tie-In’s We Wish Existed
With the recent confirmation of an upcoming tie-in comic book series to Alan Moore’s platform defining Watchmen, we thought the time was right to put out our own list of fantasy comic book tie-ins that we just wish they’d make.
Jules Winnfield (Tarantino Universe)
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Honestly who can forget Samuel L. Jacksons epically powerful performance as Jules Winnfield in Tarantinos Crime Fiction masterpiece? For me, Pulp Fiction is a sedimentary rock of dramatic excellence; on the surface Pulp Fiction is a satisfying cinematic journey, but each layer of sub-textual depth is richer and more dramatically succulent than the last once you start sifting through them. And it really is a testament to both Jacksons performance and the character of Jules himself that when the credits roll, Jules is one of the most remembered characters (and rightly so), in an ensemble of so many. Jules is such a deep, interesting character and has such an insightful if somewhat fatalistic view of the world (hes almost like a psychopathic evangelist) that I firmly believe he could sustain an exciting narrative in either a graphic novel or a long running series of singles. The Pitch Remember Jules storyline? During the climactic final scene, Jules professes that hes done with the thug life, and (and I paraphrase) plans to walk the Earth, from town to town, meeting people and getting in adventures and shit, like Caine from Kung-Fu. And basically, thats the framework, all mapped out. It practically writes itself. I dont know about you, but I would read a Jules book. He was the only character in Pulp Fiction whose story was left open. As he left the diner, I got the sense that his story was meant to continue almost as though in creating a serial-like narrative structure like Tarantino did, he was inviting me to imagine what sort of misadventures Jules would find himself having while undertaking his solitary exodus. And imagine I did. And given that serial-like narrative structure of the film (and the fact that Tarantino himself is a major comic book geek), I can think of no better platform for some bible quote-toting, Blaxploitation themed misadventures than the panels of a comic. Potential Titles The Shepherd (a huge part of Jules final speech to Pumpkin in the diner at the end of Pulp Fiction. Its effectively the Shepherd in his killing monologue that he strives to become). Bad Motherfucker (Does this iconic wallet reference even need explaining?) Chronicles of Ezekiel (its worth pointing out here that the biblical passage Jules has memorised in Pulp Fiction is from Ezekiel 25:17). The First Men in Westeros (Game of Thrones/ Song of Ice and Fire Universe)
Bruce Waynes Training (DC Universe)
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So, I really dont have much to explain here. Bruce Wayne, a.k.a Batman (obviously) is irrefutably one of the most adored superheroes there is, was and likely ever will be. But see where Supermans powers were just there one day, Spidermans were a result of a freak accident and Thors were a divine birth-right, Batmans were sought after and earned over a fifteen year period of intensive training and study. So why is so little known about this huge portion of the Batmans origin? Seriously, enter Who Trained Bruce Wayne into Google and youll get very little in the way of definitive answers. Thats because we only ever experience this training through fractured flashbacks, usually to explain some special discipline hes utilizing to defeat an enemy or escape a trap. I dont know about you, but Ive always wanted to know more. The Pitch I guarantee you one thing: if you put a book out there about Batman in any shape or form, itll sell, at least initially (and continually if its even half decent). The premise is exceedingly simple. We follow Bruce Wayne, from his parents death in Crime Alley right up to the moment he first dons the cape and cowl, exploring those fifteen hard years in between. Since Alan Moore shook the foundations of the comic book industry in the 80s with The Watchmen, character depth within the panel has become an absolute must for many. As any die-hard fan can tell you, we know Batman now; who he is, how he thinks, what drives him. But we still know relatively little about who he was, before he became the bat. The story would follow him from the very beginning. Through the various degrees he enrolled on for brief semesters at top Universities, through his known man-hunting training with Henri Ducard, through his assassin training with David Cain (where he learns valuable lessons about the value of life) and through who knows what else. The possibilities for scenarios, settings and stories are virtually limitless whether its a graphic novel, a mini or maxi-series or even an entire line. Potential TitlesEchoes of the Bat (its a simple title, indicating that while it may not be a story about Batman, it echoes the sentiment). Taming the Bat (one part metaphor for what Bruce Wayne did metaphorically upon completing his training and also one part cheeky Shakespeare reference). Bruce Wayne: Lineages (Bruce Wayne is almost as iconic as the Bat himself; this title lets the reader know pretty much exactly what theyre in for).
Michonne (Walking Dead Universe)
John Marston (Red Dead Universe)
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Theres been a whole argument raging for years now, largely fuelled by Chicago Sun-Times film critic Roger Ebert, that video games can never be art (check out some of his musings on the subject here). But if theres ever been a game that flies in the face of that statement, its Red Dead: Redemption. I wont give it away, but beating Red Dead: Redemption brought with it a sense of empathy toward the central character that I dont think Ive felt since Cloud Strife. I would, without a doubt, spend my hard earned cash on a Red Dead comic, especially with a character as rich as John Marston leading the way. And thats the main pull for Red Dead: Redemption the character is so followable. Through either 80 hours of game, a movie (and Im certain there will be one, eventually) or of course a comic book, Im totally there. The Pitch Theres already a fantastic existing backstory to begin with; a lawless gunslinger - one of those bona fide American relics - and his exploits throughout an American wilderness with his roving gang of bandits (the remnants of which you yourself are tasked to snub out in Redemption). John Marston had already lived a long and eventful existence before the events explored in Red Dead: Redemption and if you ask me, theres an entire single-issue comic line in this largely untapped period of time. One of the reasons the game worked so well for me story wise is that this rich, compelling backstory informs the central character as much as the events we experience in-game. In this way, John Marston is much more protagonist than simply video game badass. Ultimately though, this just leaves me hungry for more. What was John Marstons life before the events of Red Dead: Redemption? How did he live before he settled in Tall Trees with his wife and son. What was his relationship with Bill Williamson like before it soured? Did he always have a heart of gold, or was this something he developed during his time as an outlaw? What made him give it all up? These are all questions ripe for the answerin and why Red Dead should absolutely receive its own comic book tie in. Potential TitlesRed Dead: Origins (a simple title, but it does exactly what it says on the tin). The Road to Tall Trees (this title also hints at the theme of origins, while also referencing the eventual climax of Red Dead: Redemption again I dont want to give too much away). Redemption (simple, self-referential, and I can just imagine this title looking awesome atop an issue cover in a blood and bullets motif. It also hints at the themes within).