Review: THE EXTRAORDINARY ADVENTURES OF ADELE BLANC-SEC
rating: 4
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(Rob's Cambridge review re-posted as the film is released in the U.K. today)Luc Besson's return to live action, following the dire 2006 animation Arthur and the Invisibles, The Extraordinary Adventures of Adèle Blanc-Sec is an adaptation of an unusual Frenco-Belgian comic book series which follows a cynical, early twentieth century investigative journalist, whose globe-trotting adventures frequently involve fantastical and mystical goings on. The plot of this film concerns an expedition to Egypt undertaken in order to revive an ancient mummy, a Pharaoh's doctor, in the belief that he can cure Adèle's brain damaged twin sister. However, not only does this bring Adèle into conflict with those who would rather claim the treasures for themselves, but there is also a more pressing problem back home. The scientist Adèle is relying upon to revive the mummy has been placed on death row after hatching a pre-historic pterodactyl egg the result being that the creature terrorises Paris, and its bumbling police force. If that sounds pretty insane, then that is a fair reflection of the film. There is a lot of CGI in the form of the giant dinosaur and an array of mummies, but also in terms of the locations and period detail. It is a film painted on a large scale canvas with characteristically broad brushstrokes. The characters are, by and large, larger than life caricatures which won't surprise any familiar with Besson's previous films, such as The Fifth Element. It is a heightened reality, full of colour and quirky eccentric characters. It almost feels like a Jeunet film at times: like a sort of crazy mixture between Amelie and Indiana Jones, with dashes of a Night at the Museum movie thrown in for good measure.