CERTIFIED COPY review; An egalitarian experience that is at once experimental and recognisably real
rating: 4
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Certified Copy is at once beautifully simple and brilliantly complex: it's situation hits home with an immediacy that it is impossible not to feel, and yet you'll somehow sense that there is much more than meets the eye (or hammers the heart) in writer director Abbas Kiarostami's carefully choreographed romantic tale. Set in Italy, the story begins with scholarly English author James Miller (William Shimell) speaking about his new book, Certified Copy, at a press conference. In the audience is French ex-pat Elle (Juliette Binoche) and her slightly impatient son. When the conference ends, we join Elle and her son as they digest what happened, or rather he psychoanalyses her whilst playing computer games and she gets irritated. Once this curiously insightful sequence has set the tone, we move into the meat of the matter. James visits Elle in her antiques shop and together they go on a day trip where their past begins to unravel in front of them. They talk about their married life, their wedding and their lives as they journey around the Italian countryside together. But even as the discussion delves into deep emotional matters between the couple, it raises still more questions. Is their relationship real? What do they really feel for each other? If they are simulating such real emotion, does it even matter that the simulation is fake? Aside from the clever way that these themes intertwine with Miller's book, which is overtly discussed as part of the proceedings - producing an almost essay-like feel at times, their are so many interesting layers to this tale.