Edinburgh 2010 Review: THE EXTRA MAN
rating: 4
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No one plays a satisfied fool like Kevin Kline. In Robert Altmans lovely final picture, A Prairie Home Companion, he played Guy Noir, a security guard whose clothing, speech and thought processes were straight out of a 1940s private eye movie, only the movie was set in contemporary times and no one had bothered to tell him he was a walking anachronism. In A Fish Called Wanda he thought the London Underground was a political movement. In The Extra Man he is, as in Altmans movie, a character who seems to find himself in the wrong era. It is set in the present day, but his ideas about (high) society, the pecking order and gender politics seem, to put it mildly, antiquated. He plays Henry Harrison, a fairly broke ex-playwright who courts older (try 92-years-old) aristocratic women and bluffs his way into social gatherings. He lives in a flat in Manhattan where he dances absurdly and collects Christmas baubles. He is looking for a lodger and his ad is answered by young Louis, played by Paul Dano. The story is told from Louiss point of view but both parts are equally memorable. Louis has a penchant for the 1920s and old-fashioned living; he also has a penchant for cross-dressing, about which more later. This set-up isnt all that original young man goes in search of himself and finds older man who becomes a father/mentor figure but The Extra Man is a well-made, well-written (it is based on a book by Jonathan Ames) piece that is elevated by its performances. When Louis sees Henrys car a dilapidated Buick Henry observes, I drive around New York looking for it, then, after a pause: I mean it in the Kerouac sense. On his attitude to sex: You will find I am to the right of the pope. This guy could have been insufferable but the casting of Kline really makes the part work. Henry says that people are drawn to his disapproving nature, and in a sense we in the audience are too. He is not a million miles from Melvin Udall, the misanthrope played by Jack Nicholson in As Good As It Gets, inasmuch as the casting lets us like the character despite ourselves. Louis, a lonely and somewhat confused young man, finds him a bit much at first but quickly starts seeking his approval; he is unsure what to make of him, but his intelligence and old-fashioned nature draw them together.