HOT TUB TIME MACHINE: a brainless charm
Defiantly juvenile, extraordinarily dumb, but this is a consistently funny film
Sometimes a film comes along which really does do exactly what it says on the tin, and 'Hot Tub Time Machine'is of such an ilk; its entire premise, pitch, plot, virtually everything, in fact, you'd want to know about it can be neatly surmised from its four word title. If there were prizes for pithy, laconic titles, step forward 'Hot Tub Time Machine'. Yes, there is indeed a hot tub, and yes, when four friends jump in it on a hedonistic skiing vacation, they find themselves magically transported back to the 1980s, and back to an earlier holiday they enjoyed as teenagers. The poster quote is also concise and accurate: "'The Hangover' meets 'Back to the Future'" is about right, though there's less ruminative time travelling than the latter, and it's far more stupid than the former. Make no bones about it: this is a dumb film. Granted, you'd never expect Fellini with a title like that. But it needs to be said. It's low brow to such a point that your brow will be somewhere near your ankles. Yet, like that dense friend who always inexplicably tags along, or an especially dim-witted dog rescued from a shelter, 'Hot Tub Time Machine' has a kind of brainless charm that is immediately endearing. There's toilet humour, tasteless slapstick and sex jokes aplenty, but because it plays up to these elements so brazenly, the laughs are undemanding and flow freely. Much of that charm comes from the four leads, who have a decent group dynamic and appear to have been given free rein to indulge in a bit of Judd Apatow-esque improvisational riffing. John Cusack as the comparative straight man holds things together ably (although his character feels like a bit of an afterthought), and both Clark Duke and Apatow alumni Craig Robinson give decent ensemble turns. But by far the standout performance comes from Rob Corddry. Having only thus far been a cameo player since leaving The Daily Show(where he was one of the better 'fake news' reporters), here Corddry gives a tour-de-force in gross-out comedy, immersing his first lead role with a heavy dose of chutzpah and an exceptional nose for the extreme. Described in the film "like that friend who's an asshole, and he's our asshole", Corddry is a riotously effective asshole; here's hoping his lack of hair won't preclude the comedy stardom he surely deserves.