KES Review: BFI Re-Release Classic British Film
Capturing the essence, views and aspirations of the period, Kes is a vital social document, a fundamental re-release of an historical England without losing any of its vigour over 40 years on.
rating: 4.5
Advertisement
Living in the mining town of Barnsley, Yorkshire, the life and future of 14 year old Billy Casper (David Bradley) is unpromising. Confined to poverty, he is a petty thief, and mediocre student soon to face the unescapably bleak prospect of joining his older brother Jud in the mines. Billys mother (Lynne Perry) spends her free time with her admirers in the local, hoping to fulfil her dream of a nice house and someone to come home to. To her, Billy is a hopeless case who receives little more than nonchalance. Jud, Billys bullying older brother rules the house and like their mother, is more interested in the opposite sex. But Billys pastimes of reading the Dandy and pilfering milk are soon substituted by raising Kes, the kestrel he discovers near his home which brings him real happiness and a new experience of freedom. Kes depicts the failing social systems upon society and their effect Billy, part of a generation who are undermined and oppressed. Bullying P.E teacher Mr Sugden (Brian Glover), a failed football player who likes to pretend that he is Bobby Charlton tries to gain some sense of glory, punishing his pupils who thwart his dreams. Mr Farthing (Colin Weiland) is the only person who is willing to let Billy talk about his hobby offering hope beyond the mines and a chance for to break free, encourages Billys monologue to the class, which is haunting, awkward, and full of enthusiasm, and enchants the class. But society is obviously unhappy with the rebellion of the underclass, this outsider like a young Morrissey who has succeeded, albeit briefly, in betraying his expectations and so punishes him. Director Ken Loach, questing for social justice concludes an inevitably incredibly bleak and unhappy end to Billys childhood; there is no blood or gore, just stark lifelessness ravished from the rubbish. Billys life regains its futile existence.