OWFilm World Cup Round Two: Spain vs. Mexico
OWF Film World Cup Round Two
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It may be all smiles in this picture between friends Guillermo Del Toro and Alejandro Gonzalez Inarritu but there is no time for companionship in the art of battle as the directors see their nations representatives battle it out amongst one another for a place in the Obsessed with Film World Cup Quarter Finals.... Pans Labryinth (2006)
OSCAR COUNT (3) IMDB (8.4, #68) RT 95% EMPIRE TOP 500: (#132nd)
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Won Oscars for Best Cinematography, Best Art Direction and Best Make-up
Pans Labryinth presents the darker side of the fairy tale, albeit one without the fleeting close ups and uplifting sentimentality. Its $37 million domestic box office proves however that there is an adult audience for the genre when it is handled with such creative flair and told with such bold emotion. The film works as both a war story featuring some brilliant character studies of courage and cowardice and as a fascinating fantasy tale where creatures such as the Pale Man both excite and disturb in equal measure. Ultimately director Guillermo del Toro pulls off a major feat in being able to ground fantasy in the harshness of the real world. What he creates is an awesome visual spectacle carried through with great gusto and heart. In 2006 esteemed critics Roger Ebert and Mark Kermode both named Pans Labryinth as their film of the year. INTERESTING FACT: The film received twenty two minutes of applause at the Cannes Film Festival.Amores Perros (2000)
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OSCAR COUNT (0) IMDB (8.2, #164) ROTTEN TOMATOES (92%) EMPIRE TOP 500 (#492nd)
Amores Perros is a cleverly constructed interlinking drama which tells three different stories which all explain the opening car crash. Many critics have praised the film for its authentically presented arena, naturalistic dialogue and tremendous attention to detail concerning character. Acclaimed critic Roger Ebert is clearly impressed with the films realism as he states in his review that the characters are not the bland, amoral totems of so much modern Hollywood violence, but people with feelings and motives. They want love, money and revenge. The films gritty visual style has also been highly praised with Peter Bradshaw writing in his Guardian review about how the films arena is so vividly brought to life: Inarritu and his cinematographer, Rodrigo Prieto, have created a flickering, sun-bleached look for this tale of the barrio in the world's biggest city - a look similar to the Diesel ads or the desert glare that you saw in the old Foster Grant commercials. Amores Perros won the prize of the critics week at the 2000 Cannes Film Festival. INTERESTING FACT: Despite a clear and concise opening message which stated that no animals were harmed during the production the films twenty one second, brutal dog fight scene still earned a complaint from The Royal Society for Prevention of Cruelty to Animals.