Review: BATTLE LA - Soulless, Mechanical Exercise But Fleetingly Amusing
rating: 2.5
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Make no mistake; there is a reason why the promotional materials for Battle: Los Angeles kept the dialogue to a minimum and placed whizz-bang action at the forefront. This disappointingly generic alien invasion war film shirks a ripe premise in favour of inexperienced helmer Jonathan Liebesman's misguidedly overdirected aesthetic, meaning the film cannot even deliver on the meagre promise of technical proficiency. Taking place in present day as aliens begin to descend upon Earth and destroy the major cities, a final stand is being organised in Los Angeles. Marine Staff Sgt. Michael Nantz (Aaron Eckhart) leads an incredibly green platoon of grunts in the battle for Earth's natural resources - chiefly water - facing an enemy they could never have even imagined. If there were several things I expected Battle: Los Angeles to be, dull is certainly not one of them. Liebesman spends an inordinate amount of time building up characters who are essentially cardboard - the one with the chequered military record, the one with the fallen sibling, and the one with the pregnant wife back home - only for them to become faceless non-entities once the action starts. The only graces of character are given to those with the pretty faces and bankable names - that is, Eckhart's Nantz and Michelle Rodriguez's Sgt. Elena Santos - though not even in their cases does the film push the emotional or visceral buttons and make us want this platoon, or Earth, in fact, to survive. With all those juicy money shots in the trailer, though, it at least succeeds as a rock-em, sock-em action film, right? If Liebesman's goal was to immerse us in the milieu of war in a manner akin to Spielberg's Saving Private Ryan, then he had positively failed; Spielberg always kept us aware of what was going on where and with whom, and more importantly, made us care about those in the brunt of the action. Here, hackneyed editing gives way to frustratingly incomprehensible action, in which spatial sense between the marines and the aliens is scarcely construed at best. In trying to create a tightly-knit, closed-in action film, he has crucially neglected much regard to scale and relativity; this a film sorely in need of a wider perspective, even if just now and then.