Mike says THE AMERICAN hits all of it's marks
rating: 4
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(Re-posted as it's now playing in U.K. cinema's) 'Control' director Anton Corbijn has surprised a lot of people with his decision to direct a thriller about an assassin starring George Clooney as his second full length feature film. But the extent to which it is a departure from his slow, intense and artful style has been greatly exaggerated: and that seems to be leading to something of a negative press on 'The American'. I personally think that's a little harsh on the film, which unites a series of intelligent techniques to tell the story of Jack (Clooney), an ageing assassin who is slowly losing his edge, putting himself and others in danger. Sure, it's not an original premise, there's been plenty done about powerful men on the steady decline from their once-heady heights. Special agents, master criminals, cops, they've all received the treatment. But that's not to say it can't be done well, and doing it well is exactly what Corbijn focuses on. The opening sequences of Jack with his Scandinavian lover 'enjoying each other's company' before going out for a walk in the snowy, isolated landscape around their cabin, only to be ruthlessly interrupted by some mystery assassins, sets the tone for a harsh story of what it means to want to end your lifetime of shady dealings with the criminal underworld. And the events here send Jack fleeing to Italy, where his equally shady contact Pavel sorts him out with a car, an isolated hideout in an isolated village, and one last job: just a custom-made gun, he doesn't even have to pull the trigger. As Jack goes about his life in this tiny village in the Italian region of Abruzzo, Corbijn's plan for the film really comes alive. He takes this standard setup, places all the key plot points, and then proceeds to play with them, creating an exercise in the creation of tension and the deconstruction of characters.