Review: THE COMPANY MEN - Strong Acting Overcomes A Pat Script
rating: 3
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The Company Men is the third film in almost as many weeks to broach the subject of the recent financial meltdown, though the first to be fictitious in nature, following the incendiary documentaries Inside Job and Client 9: The Rise and Fall of Elliot Spitzer. While inexorably cornered by its premise - asking us to feel sorry for a trio of upper-middle class families who might lose their second car and oversized home - writer-director John Wells wrings enough truth out of his drama to compensate for the somewhat pat presentation. Wells' film centres on three men trying to stay afloat amidst the recession; white-collar administrator Bobby Walker (Ben Affleck), his boss Gene McClary (Tommy Lee Jones), and their colleague, Phil Woodward (Chris Cooper). Though able to stave off unemployment for a while, the chop inevitably comes for each of them, and The Company Men depicts the differing manners in which they handle the news, convey it to their families, and get back on their feet - or not, as is tragically often the case. Much like Jason Reitman's far superior Up in the Air, this film conveys how imbued into people's lives their work can be; the overwhelming embarrassment, frustration and anger at losing a job you'd been promised you'd keep or felt you'd worked hard enough to save seethes beneath Affleck's usually cool, chiseled features. And naturally, it's even worse when those around you are doing well, as frequently happens to the characters here. Though there are no bones about the dog-eat-dog nature of the employment world - particularly one such as this - Wells is able to find some simple, beaten-down humanity in the creased, weathered-looking Tommy Lee Jones, who feels the crushing pang of guilt as his colleagues are summarily cut before his very eyes, while he is locked out of the decision making process altogether despite his standing in the company. Moreso than anyone, he gains an insight into the vile bigger picture, that his company nevertheless turns in astronomical profits for its shareholders. Meanwhile, those who remain employed have to pick up the slack and perform double duty while being apparently grateful to still have employment. It's absolutely sickening. Downcast subject matter though it is, there are moments of gallows levity, such as when Bobby enters a job placement scheme run by his bosses, only to find that the hierarchical structure applies just as much in this scheme - the VPs have larger offices with which to find new jobs, while the rest of the driftwood have to make do with shared cubicles.