TELL NO ONE

The DVD for French thriller TELL NO ONE hit Region 2 shelves this week, OWF gives the film the once over.

By Will Reynolds /

It€™s strange that the film version of Harlan Coben€™s novel Tell No One, out on DVD this week in the UK, comes not in the form of a glittering A-list vehicle for a Hanks or Cruise, but instead a modestly budgeted French film from actor turned director Guillame Canet (the €œthird wheel€ in The Beach€™s flimsy romantic sub-plot).

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You€™d think a twisting-turning story with morally duplicitous characters would be prime material for a Hollywood adaptation. Yet here this isn€™t the case. Director and screenwriter Canet relocates Tell No One from New Jersey to Paris and injects some Gaelic flair into the most un-French of genres: the blockbuster thriller. Think of French cinema and usually images are conjured of something distinctly art-house from Godard or Truffaut. Here, Canet crafts a slick film that matches up to any American thriller in recent memory. The plot centres on Alex Beck - a doctor still grieving for his murdered wife Margot - who starts to receive messages from beyond the grave. When a woman resembling Margot appears on a webcam feed sent to Alex€™s laptop he begins to believe she may still be alive. Soon a cryptic clue that cleverly weaves U2€™s €œWith or Without You€ onto the soundtrack leads Alex to an email message with instructions to meet Margot. As new evidence emerges suggesting Alex may have been his wife€™s killer and some of his close friends start to get bumped off, he finds himself on the run. The film€™s high point, a sequence where Alex leaps from his office window and is pursued by police in a frantic foot chase through Paris is exhilarating, edge-of-the-seat stuff, and wouldn€™t look out of place in a Jason Bourne film. The cast, a who€™s who of contemporary French cinema, are on form creating memorable and engaging characters - all the more remarkable considering most get only fleeting screen time. The film ultimately rests on the shoulders of Francois Cluzet, and his vacant-eyed expression (reminiscent of a young Dustin Hoffman) perfectly brings us into his state of mind - one of panic, confusion and desperation to be reunited with his wife. The plot unfolds briskly but does suffer from a few problems, namely a third act exposition dump so long that it brings the film to an abrupt halt. Nevertheless, it€™s easy to overlook this when Cluzet has been on such a thrill ride that you are gunning to see this journey resolved for him. Canet€™s direction is slick and precise and the ease with which he builds suspense and weaves a dense plot around strong, well-defined characters is to be commended. He is without question a filmmaker to watch. Tell No One is a refreshing and unexpected little gem in a marketplace cluttered with sequels, remakes and cheap horror flicks. It€™s an excellent way to pass a couple of hours. Tell Every One is perhaps a more apt title.