THE LAST AIRBENDER review; horrific mish-mash of genres, awful acting & flat execution
rating: 2
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Mr. Shyamalan is taking a pasting on this one. People are baying for blood from the man once audaciously proclaimed as the successor to Steven Spielberg, the critics are scenting the kill and it may well be the end for him (though, we've said that for how many movies now?) For the most part, the critics have it spot on. The Last Airbender is a horrific mish-mash of genres that follows a depressingly large number of dead ends in adapting its source material, the Nickelodeon cartoon 'Avatar: The Last Airbender'. The story is set in an alternate world, a fantastical world divided into four great nations: earth, air, water and fire. Each of these nations is, unsurprisingly, connected to their chosen elements and a select few of them can even manipulate (bend) their element at will. The nations cannot co-exist in peace, however, and to rectify that one man in every generation is born with the ability to bend every element, and to unite every nation under a philosophy of peaceful coexistence. That man is the Avatar, and we join this world at a time when the Avatar is missing, and the nation of fire is ritualistically exterminating the nation of air (to which he is believed to have been born) before exerting its power over the nations of earth and water. The story is a grand one, and the various designers in the film do a great job in bringing the world in which it is set to life. Each realm has its own identity, and the philosophy, a sort of mix of Buddhism and various Eastern teachings on peace and enlightenment, are liberally spread among the inhabitants. So far so good. But then somewhere, somehow, some terrible decisions were made. Firstly, making the show into a trilogy left this film with the unenviable task of being an origin story. There's a lot of talky set-up dialogue that makes the entry into this new world feel contrived and clunky. Worse still, it meant that Shyamalan was given a lot of time to get 'under the skin' of cartoon characters who were written to be easy-to-follow in series format: i.e. quite simple. The result of this is that there's some corny subplots and hammed up 'emotional' scenes that the film could easily do away with. The latter problem is compounded by the fact that the acting is, without exception, awful. The 'Avatar' is just The Golden Child but without the gravitas, while his sidekicks are average kids next door, but with a few battle skills. Speaking of battle skills, it's difficult to know how to assess the action sequences.