The Last Exorcism Part II Review: Messy Sequel Is Glorified Straight-To-Video Horror Flick
rating: 1.5
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A perfunctory sequel with a perfunctory title, The Last Exorcism Part II is surely not an excursion desired by many audiences. The original film, a clever found footage venture, proved to be one of the overplayed gimmick's strongest entries of recent years, delivering a wiry, postmodern spin on the glut of possession movies that have clogged out cinematic arteries ever since The Exorcist spewed its first batch of pea soup. It appears that in trying to milk the modestly-admired name of the previous film, Part II is just as imaginative as its moniker, upending everything that worked about the original film and likely making audiences feel sorry for the film's likable lead, Ashley Bell, who tries her damnedest to make us care. It is generally agreed that the weakest thing about the first film was its departure point; after a clever reveal in which the typical exorcism shtick is entirely turned on its noggin, director Daniel Stamm - who has nothing to do with this sequel - opted for a more familiar return to grand guignol, and an obnoxious final shot in particular. The original just about got away with its unsavoury ending, but in continuing directly from that uninspired narrative through-point, the film gets its first strike, and promptly racks up a second as audiences soon enough realise that the inventive employment of found footage is nowhere to be seen here; Part II is a straight-up, standard fare horror flick with no bells, whistles or even the slightest sense of excitement. If the first film propelled us into the milieu from minute one, Part II takes at least a good half-hour to go anywhere, as a mentally disturbed Nell (Bell) is moved into a home for girls, with the hope that it might stabilise her mental state. Even once things begin happening, though, it's the same contorted body gimmicks that were wince-inducing in the previous film, but now feel tired and lazy.