Review: THE SOCIAL NETWORK; Smart, tense, and absolutely invigorating to watch.
rating: 4.5
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(Re-running of our NYFF review as 'The Social Network' is previewing in U.K. cinema's tonight, before going nationwide on Friday). A word of warning - you're going to hear and read a lot of hyperbole about this movie. This is why 'The Social Network' is smart, tense, and absolutely invigorating to watch. It is a triumph for crew and cast and the audience as well (a major exception being the real-life people these actors portray). Whether Network is the defining film of this decade, the last, or the next remains to be seen and in any case, if this is the kind of wordplay on hand, we must be really starving for a non-condescending, genuinely interesting motion picture to pop up in theaters. At the very least, David Fincher's new film refuses to spell out proceedings legal and otherwise. Ben Mezrichs book The Accidental Billionaires is the jumping-off point for Aaron Sorkin's exhaustively studious screenplay, balancing machine-gun wordplay with unexpected (and often delightful) moments of caustic humor. Sorkin draws on a well of information available in this day and age to take us back to an ancient time in human history Harvard, 2003. A young(er) Mark Zuckerberg (Jesse Eisenberg, definitively putting aside his Michael Cera-esque mumblisms for a nervy, exhilarating performance) breaks up with Erica Albright (Rooney Mara, owning two scenes in the film and making us look forward to her taking on the mantle of Lisbeth Salander in Finchers next), comes back to his dorm room and hatchessomething. From there, we leap between the trial leveled against Zuckeberg by a variety of defendants, former and apparently only friend Eduardo Saverin (Andrew Garfieldalso exemplary) sharing sad and damning glares with Zuckerberg. The other defendants include Divya Narendra (Max Minghella) and a very amusing Armie Hammer, playing privileged twin brothers Cameron and Tyler Winklevoss.