Tiny Furniture Review: A Witty and Achingly Authentic Film of the Moment
Very much a film of the moment and, for a section of the population - young, unemployable and uncertain what the future might hold, it will most certainly strike a chord.
rating: 4
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Aura (Lena Dunham) has just graduated from University with a degree in film theory and returns home to her artist mother's trendy loft apartment in an upscale part of New York. She is aimless and - as also I discovered not too long ago - not qualified for anything in particular, so she spends her time getting a part-time job, arguing with her mother (Laurie Simmons) and younger sister (Grace Dunham), whilst also looking for love in the wake of a bad breakup. It's a premise which will no doubt strike a depressingly familiar chord with those of us of a similar generation to the 25 year-old Dunham, who also wrote and directed Tiny Furniture. Her debut feature feels autobiographical - a suspicion reinforced by the fact that her mother and sister are played by their real-life analogues. In any case, it feels achingly authentic. Dunham perfectly captures that sense of aimlessness that follows graduation for those of us not savvy enough to study something more obviously useful. Her return to the family home is also captured perfectly, with that feeling that Aura expects greater fanfare and attention than she is receiving: she expects to have been missed when, in reality, everybody else has moved on with their lives. Much like the Generation X protagonist of Kevin Smith's seminal comedy Clerks, in who repeatedly sidestepped responsibility with the memorable refrain "I'm not even supposed to be here today", Aura frequently bemoans how much of a "very hard time" she's having.