CD Review: I Am Avalanche - Avalanche United

Maybe it’s the sound of punk maturing, maybe it’s pop punk grabbing a bottle of whiskey and a pack of cigarettes and looking back on itself with older, tired eyes, maybe it’s just a pretty damn good sophomore effort.

By Morgan Roberts /

rating: 4

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€œSo I€™m alone for the first time in five years, holy f***, things have changed...€ announces album opener Holy F***, after it€™s feedback laden, rhythm driven, €˜check check€™ American Sex Pistols intro before it bursts itself open into an energetic and running slice of punk rock. It€™s been six years since I Am The Avalanche€™s first album, a band formed on the tail end of a failed relationship with a bad break up, and the second album in opens with a track looking back on getting through a divorce. It€™s an assessing of the situation, of how things went wrong and how the things have changed, and how front man and lyricist Vinnie Caruana (formely of The Movielife and Head Automatica) has €˜sorted out (his) tragic life.€™ Speaking in turn to a former spouse, himself, his band and the things that got him through. It€™s reflectively bitter and hopeful for the future, it€™s pop punk and it€™s post hardcore; and it lays out the blueprint for this album. Lyrically, Vinnie travels on from here through the album, alongside the band (comprised of guitarists Brandon Swanson, formerly of Further Seems Forever and Michael Ireland, bassist Kellen Robson of Scraps and Heart Attacks and drummer Brett €œRatt€ Romnes) who nicely underpin (with a blend of NOFX punk rock aggression, Blink 182 pop punk melody and post-hardcore raw emotion) the album€™s retrospective themes of youth gone by, the New York they call home, lost friends, new love, anxiety and plenty of odes to friends, family, being in a band on the road and getting drunk with friends, family and whilst being a band on tour. Plus one song about a gravedigger who finds closure in burying his wife; because why not? From the storming opener we€™re dropped into an early album highlight, and clear runaway for lead single for the album, Brooklyn Dodgers. It starts off all tense and melodic post-hardcore guitars and vocals before almost immediately, and with a real sense of immediacy, the uplifting chorus breaks in, and it€™s anthemic, and it€™s catchy, bound to be a sing along song live, especially when there€™s time for a gang chant and €˜woah€™ laden middle eight. Ending on an extra shout along chorus and the tiniest tease of a breakdown for the outro. The pace keeps up for Amsterdam, a real celebration of being best friends and being in a band, and doing the things that boys in bands do, young or old. Though perhaps more than anything perhaps, it€™s an ode, if not a straight up punk love song, to Amsterdam. Especially by the halfway mark when things slow down and the guitars become melodic walls, as for a moment at least becomes a heavy ballad for the streets of the city, and no doubt its nightlife, before the raucous first half comes back to bring it to a frantic close. And this reveal of a softer side, even it is for a city and the hallucinogens and nightlife it may offer, opens the floodgates for the three way of emotion that follows.I€™ll Be Back Around, Is This Really Happening?, and This One€™s on Me all bring in the softer side of the band and this album, in their own way at least. I€™ll Be Back Around coming somewhere between a statement of intent and a plea for help (seemingly by Vinnie to himself and to anyone else who can relate to this) that €œOne day we€™ll be perfect... One day there€™ll be no pills or hospital visits... One day we€™ll sleep safe and sound... €œ and to be free from anxiety, promising to one day be back around. Then as if by stark contrast to the album€™s start of looking back on divorce, we find ourselves in a place where romance is blossoming with Is This Really Happening?, an honest to God love song, not addressed to a city, but a lady, and the kind of gal who€™s €œa golden ticket€. As the chorus asks in disbelief if it€™s really happening, but in doing so tells us it really is; €œthe sun€™s finally shining down on me...the snow€™s actually melting in front of my face.€ Accompanied by some of the album€™s most melodic moments in the vocal melodies, in the gang vocal choir like €˜woah€™s and especially the lead guitar work into the outro. €œExcessive drinking is well in order this evening€ and a bass line that brings to mind Thin Lizzy at their Boys are Back in Town best, might not seem like the classic opening to a song I€™ve deemed the third in an heartfelt trilogy, but This One€™s on Me is a song for friends, family and the people you love outside of these and getting drunk and waking up every morning in your girls bed. It€™s a real song of camaraderie, and it€™s the drunk punk song that€™ll have you telling your best friends (or that stranger you€™ve just met or not even spoken to next you) that you love them too. That kind of emotional. And so we move into the dark movement of the album, we€™ve had punk rock passion, but the next trilogy is a darker aggression. Don€™t go expecting a sudden breakdown of metal and hardcore proportions but the way Alkaline Trio get dark but with early AFI instrumentation, though not as goth inflected, and perhaps most closely to NOFX€™s angrier moments where they touch on the dark side of sound. Who by coincidence get a name drop in the first of this trilogy; Dead Friends a song that deals with friends lost early on, through suicide, and living with the memory of life before they left and when they went away, it€™s sombre, it€™s angry but it€™s nostalgic too for the good times. You€™ve Got Spiders is the album€™s outright fuck you song, it€™s angsty, it hates you and it wants you to know. Though not really you of course, we€™ve learned by now I Am The Avalanche love their friends, their family and of course their fans (and maybe a multitude of other F wors €“ including that one). In Vinnie€™s own words €“ €œThis is a song about the people you€™re ashamed to be in the human race with.€ See, it€™s not all fond memories, friends, drink and love; loss and anew.Speaking of which we get The Gravedigger€™s Argument, as you might have guessed the aforementioned song about the gravedigger burying his wife for closure on him her. Whilst Dead Friends was dark from loss and mourning, and You€™ve Got Spiders worked on a dark but passionate aggression of frantic rises and intimate and intense falls, The Gravedigger€™s Argument is possibly the heaviest song on the album to fit in with its (perhaps tongue in cheek) morbid and macabre story, but fuck it€™s fun, and it blasts by in two minutes seven seconds (the shortest on an album that only twice makes an outreach to three minutes fiftyish). As if by channelling the Misfits, and you have to wonder if they know it, especially when Anthony Raneri of Bayside guest vocals and comes over all Glenn Danzig croon, or given the tone of his voice like the bastard love child or middle man between Danzig and Davey Havok. And we€™re back in familiar punk rock territory with Casey€™s Song, a melodic and damn happy ode a friend of Vinnie€™s who works at sea for the military, it€™s a happy and sweet dedication that refers to him in jest as Iron Man, it€™s another nice pop punk song for the people the band love. The Place You Love is Gone is a quite standard punk song, but it€™s done with a passion and energy this band do well, with the lyrical theme of taking things for granted and living for now, a nice penultimate message to the album. Gratitude as you might€™ve guessed signs off the album with a thank you, and it€™s a great song to end the album with, throwing essentially the entire album before it into a sack, kicking the shit out of it and letting it out, but in the nicest possible way. It€™s almost psychobilly or punkry (punk country €“ I just made that up), it€™s almost happy, it€™s almost sad, it€™s stop start, great rhythm changes and some of the heaviest riffs of the album, before fading out on broken down feedback and a chant of €œAvalanche United€. It€™s proud, it€™s raw and it€™s grateful. This album isn€™t groundbreaking, but it never promises to be, if you€™re familiar with American punk, you€™ll be familiar with the sound of this band, but that€™s not the point, this band do this with a passion and they openly wear the bands that influenced them on their sleeves (and you may on occasion swear blind familiarity), but it€™s the honesty and the song craft that shines through and it makes it their own. Maybe it€™s the sound of punk maturing, maybe it€™s pop punk grabbing a bottle of whiskey and a pack of cigarettes and looking back on itself with older, tired eyes, maybe it€™s just a pretty damn good sophomore effort. I Am Avalanche is available now on Amazon.