Voodoo Six & Sacred Mother Tongue - Interview & Gig Review

By Scott Tailford /

To any of the uninitiated, Voodoo Six are one of the primest cuts of modern hard rock, providing the ultimate sustenance to any and all who feel they€™ve gone without a battering-ram-sized riff or throaty foam-topped vocal-line rammed down their throat for too long. €œWe just have fun€, twin-lead guitarist Matt Pearce tells me before the gig, as the attitude within the Voodoo camp is that of righteous good times and a workingman€™s attitude. Having just come off one hell of a summer touring with none other than Iron Maiden, there are a few humorous things that stick out as comparisons between flying around with one of the biggest bands in the world, and then trundling back up the M1 in a van. €œWe always enjoy these kinds of shows, we€™re big fans of these kinds of shows. But the scale is huge€ says drummer Joe Lazarus. Pearce chimes in, €œIn Stockholm we played to about 60,000 people, and the night before we played this tiny little club to like 100 people, and y€™know you were just right there! (laughs) But we enjoyed it just as much. We€™d been out about a month or so, and it just reminded you, €˜these gigs are great too€™.€ €œYeah, we just love the sweaty vibe!€ concludes Lazarus. €œThe catering was amazing too, just amazing food all-round, three meals a day!€ he laughs, as next to him Pearce munches on a dry cracker. By refusing to simply walk the pathways of yesteryear without boots so worn with purpose their own marks are easy to see, they utilise a heady mix of bluesy-grooves that sit somewhere between Motörhead€™s most aggressive and something as contemporary as Black Spiders or Maylene & The Sons of Disaster. Sufficed to say with twin-lead guitarists Matt Pearce and shredder Chris Jones trading off on stompy blues riffs or regular duelling guitar lines, it€™s pure headbang-territory for the entirety of their set. €œMe and Chris have this kind of, dual-personality guitar-thing where his is more of a modern influence, mine€™s more old school, so that makes a nice mixture. It kind of sums up the attitude of the band really, plus Joe is very much this modern drummer as oppose to the classic guys like Bonham€ says Pearce. When asked about the state of the industry at the minute and their placement among the wealth of rock bands that seem to be part of a revivalist movement, Lazarus noted, €œ been knocking on our door for a while now, and we€™ve got that contemporary mix of the old school. I think we can appeal to both sets of people, it€™s really down the middle.€ Pearce adds €œWe€™ve got more of a metal or hard rock edge to , we can go out there do like Maiden crowds, but we could also go out and play with AC/DC or something, but you€™ve got to have the mixture, and that€™s hopefully an advantage we have. Too much retro is maybe just a bit too €˜twee€™ these days.€ €œ in a bit of a bad state at the minute, but who knows what it€™s gonna bring tomorrow y€™know? You have no idea,€ adds Lazarus. €œIt€™s true, I mean live music is bigger than it€™s ever been, it€™s not like music is going away, people still love music it€™s just figuring out different ways to do it, that€™s all it is, evolving as a musician€ says Pearce. €œWe always look forward to just getting out and playing,€ adds Lazarus cheerfully, €œthere€™s nothing like going out and just being on the road. That€™s the only way to make money these days is just going out and gigging. It€™s great to be in the studio and have an album at the end of it too€ €œI can€™t see bands ever not producing albums,€ says Pearce after ruminating on the state of flash-in-the-pan singles-explosions. €œThe irony is, technology€™s made it so much easier to put a quality piece of work together and get it out there, but because of that you€™ve also destroyed the structure of making money off it, so it€™s a strange thing.€ To wrap up a thoroughly nice chat with the guys before they headed on-stage, they were asked to use one word to describe what it was like touring with Iron Maiden, and one to describe these more regular back-to-basics shows. The Iron Maiden word? Instantly the guys said €œTerrifying€. Yet the cast iron workingman€™s gigs, that took some more deliberation. Eventually they settled on the one description that unites all great gigs large or small: €œSweaty€.