The British influx of television programs into the American mainstream has reached a pinnacle of popularity that cannot and should not be ignored. It seems as though network television has plunged into an abyss that prevents them from focusing on creative and innovative concepts and instead ensures that they constantly recycle nearly identical programs. With the bombardment of formulaic legal, criminal, and medical shows on the American networks, viewers are increasingly drawn to the offerings from across the pond. Unlike the typical and sometimes mediocre fare of the American networks, British shows offer addictive binge-watching worthy stories that introduce fascinating characters and unique perspectives, regardless of the setting or the era. In contrast to American programs on network television such as NCIS, CSI, and the multitude of reality shows, the BBC America and PBS offer a dynamic range of British shows such as Downton Abbey, Sherlock, and Orphan Black, which are compelling and divergent as to the characters, settings and plotlines. Set in the early 20th century, when love, duty, and honor maintained precedence, Downton Abbey provides a glimpse of the life of aristocrats and those who serve them. Julian Fellowes has conceived a world in which the characters come to life in vivid fashion as each person, whether an aristocrat or a servant from the lower echelons of the estate,are equally prominent. Likewise, tragedy and death devastate beloved characters on all levels, including two principal ones last season, and while heart wrenching, these unexpected deaths eliminate the predictability that often plagues network television. Although Downton may have more characters than other shows, the unique personalities and interactions between the aristocrats and the servants, ensure that viewers form a connection with the characters. Downton Abbeys has received countless accolades and awards, even triumphing over such American favorites as Mad Men and Homeland. Similarly, the caliber of acting on Downton Abbey solidifies its status among other prominentBritish period pieces. Viewers are transported to an era in history that is not only fascinating but also continues to resonate today. Much like the Earl of Grantham, many of us have experienced a loss that forces us to fight in order to maintain values and a belief system vital to our character rather than succumb to an ever-changing world. Although many interpretations exist of Arthur Conan Doyles classic detective stories, the modern interpretation of Sherlock by Mark Gatiss and Stephen Moffat reintroduces the well-known duo of Sherlock and Watson in present day London with fascinating and brilliant narratives that illustrate the deduction skills of the remarkably observant and undeniably eccentric Sherlock. Sherlocks popularity with American audiences is evident, as it has become the first show from PBS to have its own panel at Comic Con. Audience members are immediately engaged in Sherlocks mysteries, as they are privy to his rather unorthodox methods of discerning vital clues, which often seem inconsequential to the viewer (and to Watson). Although unconventional, Sherlocks methods of ascertaining information and the ways in which he utilizes this information to ultimately solve the problem or mystery provides a distinct opportunity for the viewer to follow along Sherlocks sometimes convoluted but effective train of thought. Likewise, since each episode is 90 minutes long instead of the standard 40-45 minutes, viewers see the case to fruition rather than being subjected to a disappointing cliffhanger. Both characters maintain specific traits and characteristics that increase the likability factor of the show. Sherlocks idiosyncrasies and unconventional techniques often conflict yet complement Watsons orderliness and systematic approach to problem solving and provide an engaging and entertaining interaction between the two. With Benedict Cumberbatch and Martin Freeman at the helm as Sherlock and Dr. Watson, audiences experience flawed characters driven by intelligence, wit, and imagination as they solve crimes. Generating a passionate fanbase as well as garnering considerable positive buzz, Orphan Black has raised the bar for television programming with its unique storylines and superb acting. Like Sherlock, Orphan Black also had a panel at Comic Con; thus, securing its place among fans with the support of celebrity endorsements like Patton Oswald and Damon Lindelof. Similar to previous science fiction greats such as Fringe and The X-Files, Orphan Black depicts scientific advancements once believed impossible but which may be deemed probable within contemporary science; and, therefore, within the realm of possibility. Further, Orphan Black explores scientific innovations, particularly that of cloning, which provides an arena for debate as to the effects of scientific advancements on humanity as well as the ethical and moral ramifications. By intermixing science fiction together with realistic scientific research, this show creates an environment of believability and suspense and, in doing so; the line between fact and fiction often becomes blurred. Moreover, as the underlying conspiracy regarding the creation and observation of the clones is exposed, one realizes that these seven women are essentially lab rats who are only allowed to evolve and develop individual personalities to promote the research of Neolution. When the clones begin to unravel the mystery of their births, they begin to behave in a manner deemed unacceptable by their monitors, which ultimately puts them all in danger. The constant intrigue and suspense keeps the audience glued to the TV, as does the impressive acting. Tatiana Maslany is phenomenal in her portrayal of all seven clones, ensuring that each has her own distinct personality and unique characteristics. While watching the drama, her portrayals are so convincing that the viewer is immersed in each characters life and problems and one actually forgets that the same actress is playing all seven clones. Some science fiction genre shows or movies struggle to maintain and balance the human emotional segments with the complex scientific ones. Fortunately, this ingenious drama does not suffer from this predicament. Orphan Black proves that the uncertainties that often plague science fiction shows are unfounded as this intense and enthralling drama continues to receive much deserved recognition for achieving original storytelling and imaginative concepts, proving that anything truly is possible. This is a crucial time for network television as evidenced by the success of alternative, British programming, both with viewers and critics alike. With the accessibility of programming across a wide variety of platforms, networks should avoid their continual propensity to fall back on standard and familiar fare and instead be willing to work a bit harder to create more imaginative and inventive stories. Many viewers, such as myself, yearn for thought-provoking and innovative programs that engage the viewer and likewise, elicit empathy for characters we care about and eventually learn to love. As evidenced with the British invasion of superior television, audiences seek non-traditional narratives that do not simplify themes or ideas for the sake of ratings. As Mr. Sherlock Holmes himself asserts, We've got a serial killer on our hands. Love those, there's always something to look forward to. Yes, Mr. Holmes, with Downton Abbey, Sherlock, and Orphan Black there is most definitely something to look forward to with each new episode. If network television is to remain competitive with the likes of British programming, they must take heed and rediscover their creativity.