TV Review: Appropriate Adult
Appropriate Adult was a compelling if disturbing look at the relationship between serial-killer Fred West and social worker Janet Leech, with faultless performances from Dominic West & Emily Watson.
rating: 4.5
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I usually tend to avoid ITV's cosy Sunday night drama - but last night's Appropriate Adult looked to be something of a departure. This wasnt a neatly constructed regional detective drama, plus there was no sign of Martin Clunes or Robson Green. Instead, ITV have produced a complex and disturbing two-part film, based on serial killer Fred West. It wasnt so much the controversial subject matter which attracted me, but rather its intriguing line up of quality actors - being well above what youd expect from the usual fare. The casting of Dominic West as Fred West - known by many for his portrayal of Baltimore cop Jimmy McNulty in HBOs The Wire - was simply genius. Sporting a pair of crooked fake teeth, curly hair and a West Country accent, Dominic Wests performance is frighteningly close to the actual recordings of Fred West. But while Dominic Wests chilling performance might be what sticks in the mind, Emily Watson was equally superb as Janet Leech - the social worker given the emotionally challenging job of offering support and advice to West. Rather than going into graphic detail or depiction of the actual murders themselves, Appropriate Adult began with Freds arrest and the police raid on his house in 1994. There was a close-up of the infamous mantelpiece photo of Fred & Rose eerily recreated, signalling just how closely Dominic West and Monica Dolan (Rose) have managed to portray the actual couple. The intention of the film was clearly not to depict the grisly crimes, but the events that followed. West would refuse to share his secrets with the police, but instead confided in a sworn to secrecy Leech. It was this difficult and challenging relationship between Leech and West which formed the main focus of the film. Janet Leech is shown to understandably struggle with the vulnerable position of dealing with Wests confessions - with him continually confiding in her and her alone. Also interesting is the way in which the film often places us in Leech's position, being an outside onlooker during the disturbing admissions and descriptions of murder. During many scenes of the programme she simply observes in horror, but finds herself compelled to continue despite at one point being told to back away from the investigation. Theres a moment in which West describes disposing of his own daughter. As repugnant as the description of the crime is, neither the audience or Leech can look away. I cut her head off. But I closed her eyes first. Youre not going to take a saw to your own daughter when shes sat there looking at you he confesses with chilling nonchalance. In a way the performance reminded me to that of Bruno Ganz as Adolf Hitler in the 2004 film Downfall. The film never celebrated or emotionally sided with Hitler, but it refused to portrayed him as pure monster, rather a deeply flawed human being - complete with feelings of fear, sadness and remorse. Theres no doubt at any point that Fred West is a reprehensible figure - but he was capable of engaging and joking with his captors and displaying bouts of fear and regret, leading to his manipulation and control over Leech.