TV Review: HELL ON WHEELS 1.1, "Pilot"
Although nothing stands out in Hell on Wheels’ first hour, the show does very little to offend, looks great, is well-acted, and still has plenty of time to grow.
rating: 3
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AMC has had one hell of a rough year. Contract disputes, the loss of The Walking Dead executive producer Frank Darabont, money issues, and the critical disappointment surrounding both The Walking Dead and The Killing, has resulted in what originally looked like the network to take HBOs crown suddenly finding itself losing a lot of its prestige and, in turn, scrambling desperately to get it back. But, to be fair, it hasnt all been bad news. Breaking Bad just came off one of its strongest years ever, and the critical consensus on the troubled Walking Dead seems to be that the writers have slowly started to address and fix some of the shows substantial issues. Still, going into AMCs latest offering, Hell on Wheels, one cant help but have a drastically lowered sense of anticipation than, say, when Rubicon or Dead first premiered. Its always difficult to measure the quality of a show from its pilot episode. A good pilot helps, but theres plenty of examples of shows (The Killing, the aforementioned Walking Dead) with incredible pilots that never truly follow through on their promise. On the other side of things, theres plenty of dramas that dont work well at all straight out of the gate, instead requiring time to grow and work out the kinks before becoming truly impressive. All of that noted, Hell on Wheels neither falls flat nor really succeeds in its premiere episode, instead finding itself in a sort of middle ground that puts it squarely, at least at this point, in the area of average. In fact, its as traditional a pilot episode as one can get, laying most of the groundwork for the basic premise, touching on the lives of those likely to be major players, and introducing the setting with a couple of costly set pieces the usually higher-budgeted premieres can afford. Im not going to spend much time touching on the plot of this season premiere, but thats mainly due to the fact that the majority of it feels a bit inconsequential. This first hour essentially comes down to establishing three things: that our protagonist, Cullen Bohannon (played by Anson Mount), is on a quest for revenge, that said revenge will likely keep him involved with the constantly-moving construction campsite of the transcontinental railroad, (aptly titled Hell on Wheels) and that the mastermind behind this railroad project, Thomas Durant (played by the pretty great Colm Meaney), is greedy, violent, and, in his own words, a villain.