Why Eastbound and Down Season 4 Is A Bad Idea
Something just doesn’t feel right about the show returning for another season.
When my ass was 19 years old, I changed the face of professional baseball. I was handed the keys to the kingdom, multi-million dollar deals, endorsements. Everyone wanted a piece of my shit. Just a man with a mind for victory and an arm like a fucking cannon. But sometimes when you bring the thunder, you get lost in the storm.And that storm leads him back to his hometown as a P.E. teacher where he meets the once love of his life, April Buchanan. Yet with all his chauvinistic bravado, there is a vulnerability to his character which makes it so interesting to watch. Amongst all the slapstick, inappropriateness and all round hilarity there is a dark side to the show. So when at the end of a brilliant first season, Kennys promise of a big time move to Tampa falls through, Kenny cant handle the failure and his vulnerable side leads him to dump April at a gas station and drive onwards to Mexico. And although its second season was shaky and less consistent than the first it was an important road to take, introducing us to Kennys long lost dad and setting Kenny lose in Mexico did allow for some rather brilliant xenophobic one liners. With the seasons punch line being that April was pregnant with his son (I had my fingers crossed that somehow it would have his mullet from birth), expectations were high going into season number three. And those expectations were met with a superb season which brought the show back up to the brilliant standard of the first. With Kenny forced into becoming a dad to his young son Toby, the writers got the perfect foil for Kennys arrogance and exposed his vulnerability once more. With the additions of Jason Sudekis as his best friend Shane, Lily Tomlin as Kennys mum and the return of both McConaughey and Ferrell, season three was consistently funny and dark. Ashley Schaeffers development into a very racist plantation owner in episode two was by far the craziest route the show has taken and it was pulled off with such composure by the shows writers. And as the season winded down we knew that this would be the end, the final curtain on Kenny Powers. For a while McBride and co. had been making comments which suggested that season three would be the end. Danny McBride had said so himself telling people at PaleyFest in November of last year,
The third season to us has always been the climax of the story we set out to tellIt seemed that Kenny Powers had an arc all along and that this was it. Thus when I sat down to watch the finale of season three, I did so knowing that this would be the last time I get to see Kennys Mullet or Stevie Janowskis fake eyebrows. So when Kenny made it back to the majors I was happy for him but knowing this show writing, I knew it wouldnt last. So when he threw it all away, got in a car and began drinking on a dark road I had a feeling the writers were about to do something extremely audacious. They were going to kill Kenny Powers. Which for about two minutes I believed was possible, except that wouldnt be very Eastbound and Down. Because for every dark moment, and there are a lot, there is always the return to comedy. A newly bleached blonde mullet later and Kenny was alive, faking his death because the press and public would never leave him alone. Only the deluded arrogance of Kenny could believe that he could have an Elvis moment. At first I was genuinely angry that they hadnt gone through with the killing but slowly I came to realise that this is how it should end. Kennys own extreme way of living comes back to the fore, the ridiculousness of the steps he takes in life, his arrogance, his love for April, it all suddenly felt perfect. It felt like a natural end, well natural in the realm of Eastbound. That was until last week when HBO ordered another 8 episode season of the show, which McBride and Hill have agreed to. But I cant help but think that this is a really bad idea. There was a bittersweet feeling as the newly bleached Kenny took Aprils hand and ran into the house at its end. We never wanted to let him go but it felt right at that moment to do so. They have taken Kenny to the darkest of places and he has come out the other side. But characters such as his have a lifespan, they always need a goal to aim for and Kenny turned his down rather spectacularly at the seasons end. The majors was always his goal in life, it was the basis for his arrogance and the foundations for the shows storylines. We would be blind to believe that comedy did not stem from it. In Friends (a farfetched example I know) Ross and Rachel were rarely shown as being together because the comedy and drama existed around that premise. In the now cancelled How To Make It In America, Cam and Ben could never actually make it in America because then the show would have no foundation. And ever since Barney decided he was in love with Robin in How I Met Your Mother, Barneys status as the reason to watch the show has dwindled faster than a Greek bank.