10 Movie Scenes That Would Never Have Been Shot Today

Political correctness is one thing, but these films seemed to go out of their way to be offensive.

By Kenny Hedges /

As time goes on, for better or wore, social mores change. What society deems acceptable is forever changing - be it Jim Crow laws or sexual harassment at the workplace. Through policy, politics, protest and even the occasional online poll, we humans seem to live with the belief that we strive to do, and be, better. But it's a long road.

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And along that road, what is acceptable is represented in the cultural touchstones of film, literature and television. George Carlin once performed a now legendary routine about the seven words you can't say on television. After ten on basic cable, you can say at least three of the on basic cable now. Throw in HBO, you're covered.

But in the age of a post #metoo, post-9/11 world, a lot of what can or will be addressed in pop culture - and how - has drastically altered, dating numerous films with scenes that could send someone to a safe space. And producers are more cautious than ever before, as are celebrities with active twitter feeds, fearing cancel-culture.

So as we continue the unending battle over the reasonable, the appropriate, the acceptable and the decent, let's take a look at some scenes that, if they were scripted today, would never have seen celluloid.

10. Executive Decision Really Hated Muslims

Executive Decision, the directorial debut of editor Stuart Baird, was a safe bet on blockbuster success. It checked every box that mid-90s action movies needed: a major star (Kurt Russell), a major action star (Steven Seagal), a great supporting cast and a high-concept premise: terrorists take over 747 headed to D.C. with a load of deadly chemicals set to blow upon landing.

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Their only hope is a dastardly, stealth mid-air board of marines to track the terrorist with the kill switch or de-active the explosive before the politicians decide to put the film's title to use and blow the plane before it reaches its target.

America, in 1996, had little experience with Muslim extremism, the most infamous being the car bomb at the World Trade Centre. So with such little public knowledge of non-domestic terrorism, Muslims were never depicted with kid gloves. Executive Decision treats its lead terrorist (played by the English David Suchet) as a monster with only one goal: destroy the great Satan.

Five years later, producers would be skittish even displaying the Twin Towers in films that had nothing to do with terrorism - the first to do so meaningfully was Spike Lee's 25th Hour, which has its opening credits play over the wreckage.

Today, we still struggle with how to depict terrorists onscreen, but we certainly put more thought into it than Decision. Hell, even episodes of 24 were more discerning.

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