10 Famous Albums You Didn't Know Were Almost Completely Different

Sometimes the only thing a musician can do is to start again...

By Brian Wilson /

To the general public, what goes on during the writing and recording process of an album is a total mystery. To most, musicians disappear for a while, enter the studio and then eventually new songs surface on the radio and a new album on the shelves.

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The reality, of course, is way more dramatic. Before audiences got to see Star Wars, for example, it existed as a Western set in space focusing on a man named Luke Starkiller and green lizard-man best friend, Han. You see, a whole lot can change during the creative process. 

Sometimes artists scrap projects and spit out their seminal masterpieces in a matter of weeks. Other times a band's sound is totally defined (or redefined) by a chance circumstance. Pouring through the footnotes, it's astounding how many genre and era-defining sounds were originally completely different.

You name the art form, and there are a liturgy of iconic examples that weren't supposed to be anything like how they turned out. Music is as ever no exception, and thus, there are a whole bunch of famous albums that were so nearly completely different.

10. Green Day – American Idiot

The difference in sound between 2000's Warning and 2004's American Idiot is quite vast. Despite the fact the band were clearly heading in a more radio-friendly, commercial direction, American Idiot manages to perfectly nail the pop punk sound, with every track part of a larger concept about the Jesus of Suburbia.

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It's interesting to consider, then, how the band's career might have turned out if the original plan had happened. Cigarettes And Valentines was the original follow-up to Warning, recorded and almost finished a mere year before the release of American Idiot. Sadly, however, the master recordings of twenty tracks were stolen from the recording studio, forcing the band not to re-record the material but to scrap the album entirely.

According to lead singer Billie Joe Armstrong, the songs on Cigarettes And Valentines were “quick-tempoed punk” in line with the likes of Kerplunk and Insomniac. It's entirely possible, then, that had the album released, the band's career trajectory might be entirely different.

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