TV Review: BREAKING BAD, 4.3 - "Open House"
This week's episode, "Open House", the third of the show's fourth season, dwindles a little more awkwardly in its attempts to carry the tension than last week's episode.
rating: 3.5
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Last week, I praised Breaking Bad's ability to keep us riveted despite a lack of action and conventional plotting technique. It's a show that remains special because it refuses to go by the book. Stories are left to brood. Character development comes first and foremost. It's something to be grateful for in an age of television seasons dragged out (often by contractual obligation) to 22 episodes, and it usually pays off in droves. This week's episode, "Open House", the third of the show's fourth season, dwindles a little more awkwardly in its attempts to carry the tension. Lacking the underlying urgency of the season opener and its follow-up, the pace slows up again. "Open House" also steps on the toes of some story points that were covered well enough last week, and seems to stretch out on other plot-lines that just aren't proving to be very interesting at this early stage. The first of these stories concerns Marie (Betsy Brandt), who, for the first time, plays a rather hefty role as opposed to dealing with the usual secondary character obligations. But instead of something new, we're back to old problems - Marie's kleptomanic tendencies. The first season dealt with her intimate habits in the most detail, and since then, it's been touched on simply now and again. "Open House" takes a different road but remains in a similar ballpark: Marie visits open houses and pretends she's somebody she's not, fictionalising herself and stealing from the owners. She conjures images of exotic and fantastic lifestyles and lies to the estate agent about husbands who work for NASA and houses she has in London, Paris and Italy. Is this her way of escaping the situation she's currently faced with? Stuck with a husband she loves but refuses to respect her? Perhaps. After she's arrested for stealing from a couple of these houses, Marie breaks down and bides her time before returning home. It's an interesting aspect of the show, no doubt about that, but it seems at odds with the current situation. But faith goes a long way, and future episodes will hopefully shed a light on this reoccurring problem in a way that brings it full circle. For now, though, it seems a little too much like filler. Jesse (Aaron Paul) is still in limbo. He's shaken up and out of touch with reality. After a day in the meth lab, he reaches out to Walter (Bryan Cranston) and invites him go-karting, only to be shot down. Later, we see that Jesse chooses to go go-karting alone - some quick cuts as his expression changes as he drives around the track, culminating eventually on a shot of him screaming out in tired desperation, reiterating the sentiments from "Thirty-Eight Snub." Jesse is unable to feel anything. He's frustrated by the notion that he can't remember how to have a good time. Touching, but familiar: didn't we go down this route last week with the stereo system?