5 Ways To Revitalize DC Comics

By Trevor Gentry-Birnbaum /

4.Hire A Continuity Person

DC Comics

One thing you€™ll notice when hearing from comics writers is that many of them seem to hate continuity with a passion. For every writer like a Mark Waid or Grant Morrison who love continuity and want to use it to their advantage in storytelling, there are five who can€™t stand it and just want to pick up the characters like everything that has occurred since they personally stopped reading the comics never happened.

Advertisement

Most current comic writers have huge egos and care less about the integrity of the character and more about having an impactful run. No writer in modern comics thinks, €œI am going to create a nice, stable run where nothing too crazy happens, but the writing is tight and fans of the genre will be pleased.€ They think, €œI€™m going to KILL a beloved character! That€™ll piss the fanboys off!€

There seems to be an almost antagonistic relationship between some creators and the fans, where €œangry fans€ translates to increased sales in a €œno such thing as bad press€ mentality. Many longtime fans felt alienated by DC when the New 52 happened because it clearly abandoned the desires of the die-hards in the hope of gaining the mythical €œnew reader.€

Advertisement

Sometimes when you want to land some fresh talented writers, you can€™t rely on them being up to date with all of the continuity. DC€™s current policy appears to be either €œwipe the slate clean to make it easier€ or €œignore it altogether,€ which is why you can have a regular Superman in Justice League but a depowered Superman in Action Comics at the same time.

It€™s clear that the editors aren€™t quite up to the task of making sure everything lines up with continuity, so why not hire a fan as an expert? DC could have a nationwide search for the biggest DC fan and have a serious vetting process where candidates prove themselves. Go onto any comic book forum and you€™ll find a huge amount of knowledgeable readers who tear apart continuity mistakes when they happen. Cut one of them a check. Now, this person should be a creative consultant or anything like that.

Advertisement

Editors should not be taking him story pitches and asking €œwill fans buy this?€ There should be no creative input. It should be more along the lines of €œactually, these two shouldn€™t be fighting over this because they resolved their issues with each other ten years ago in issue #273.€ Then, if it€™s deemed that the story is too good to let this continuity error prevent it from happening, at least they can find a way to ADDRESS it in a satisfactory way instead of, oh, I don€™t know, labeling anyone who pays close attention to that sort of thing a basement-dwelling virgin.