The original and gold standard for this sort of sequence, the climatic train compartment fight between Sean Connery's 007 and Robert Shaw's "Robert Shaw's Bond Villain" (he probably has a real name, but c'mon) is so good it's almost anticlimactic that the real end of With Love is just a massive boat chase with dozens of explosions. This one is all about the pay-off. From the opening moments of the film, Shaw's Red Grant is given only two real characteristics: 1) He's really good at killing people, and 2) He really really wants to kill James Bond. Bond, of course, is a Carcharodon-phile and seeks vengeance for all of the Great Whites that have died by Grant's hand (Note: aspects of this plot synopsis are somewhat less than accurate). So the two characters are on a collision course from the very opening frames of the film, creating a tension and expectation that director Terence Young must somehow meet lest the movie be written out entirely. The obvious solution would have been to stage a giant, apocalyptic blow out on top of some burning super-fortress, possibly with sharks and/or laser beams. Instead, Young went in the other direction to fantastic results. After a tense stand-off, Bond manages to disarm Shaw, followed by the lights getting shot out. The two proceed to level the compartment, each man throttling and being-throttled in turn. It's a perfect sequence because it encapsulates so much of why Connery's Bond is still such a gold standard over fifty years later. He's suave, yes, but there's a thuggish nature just beneath that surface that takes only the slightest prompting to emerge. He won't just strangle you, he'll also rob your corpse and spit out a pun afterwards.