How To Resurrect Universal's Monsters

By Oscar Harding /

The Hunchback of Notre Dame

This one is a little more straightforward. Yes, everyone remembers Disney€™s musical (which did a lot right, in my opinion), but if it is based more closely on Victor Hugo€™s original novel. Like some of the monsters outside of the big three€™, you can play around with them a lot for a new audience- let€™s be honest, how many people out there have seen Universal€™s film of €˜Hunchback€™?. This seems to me an odd mix of €˜The Phantom of The Opera€™ and €˜The Creature from the Black Lagoon€™. The biggest challenge is to fully immerse the audience with a monster (even that statement is questionable- see what I mean? A lot of room for a master filmmaker to make something thought-provoking) they can empathise with, as well as making a solid tragic romance. Again, it is less of an obvious horror, but some violence an genuine frights would not go amiss. To direct, I think Ridley Scott would do well- imagine his sensibilities of €˜Black Hawk Down€™, €˜Blade Runner€™ and €˜Prometheus€™ in a context similar to €˜Gladiator€™ or €˜Robin Hood€™€ well, this mixture isn€™t doing him any favours, but I hope you get my point. He€™s bold, brave and rarely makes a bad film, and even the misses are fascinating to watch, so he can do no wrong in my eyes. Based on his Batman work, James Newton-Howard can give the film an emotive and unnerving sound to become part of the universe Scott creates. And for the Hunchback, someone rough and formidable, like Sean Bean, with a wide range who will intimidate whoever they cross, and then challenges both their preconceptions and that of the audience, much like Julian Bleach as The Creature from The Black Lagoon.