Only the second James Bond film, From Russia With Love is more Hitchcock than anything else in the series, building its tension and action around a train journey through Europe. Not fully imbued with the classic Bond tropes and motifs yet, From Russia With Love is much more of a straight espionage caper, with little in the way of gadgets or gimmickry, and much in the way of slow-build narrative and actual spy work (though it did set the trend for the pre-credits action sequence). The brutal train fight between Bond and memorable villain Red Grant (Robert Shaw) is the standout, and elsewhere there's Rosa Klebb as a SPECTRE employee with a knife in her shoe, and Daniella Bianchi as main Bond Girl Tatiana, one of the most striking and endearing of all James Bond's love-interests. A studied, paced affair, From Russia With Love is Bond at its mercurial best, sticking tightly to Fleming's story to deliver a Cold War classic which was at the time unburdened by some of the more cringeworthy aspects of the Bond franchise.