THE SORCERER'S APPRENTICE review; the definiton of an average blockbuster
rating: 3
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Jerry Bruckheimers association with Disney has been a profitable one. Once the output of the powerful blockbuster producer could be typified by the high-octane likes of Top Gun, Beverly Hills Cop and Con Air, but over the last decade, under the Walt Disney Pictures brand, he has taken to specialising in more family-orientated fare. This new direction peaked with the wildly successful Pirates of the Caribbean franchise and the two National Treasure movies, all of which grossed hundreds of millions of dollars at the international box office. Last year the talking-guinea pig movie G-Force reaped similar rewards for Disney and Bruckheimer and it seemed the partnership was infallible. But 2010 has been an uncustomary rocky ride for the Michigan-born mogul. First a cynical attempt to recreate the Pirates franchise (albeit in different period dress) backfired as the video game adaptation Prince of Persia: The Sands of Time failed to capture the imagination of audiences. It eventually managed to recoup its inflated production budget but fell well way short of Disneys expectations as a big summer tentpole movie. The Mike Newell directed film was part of planned series, but sequels seem unlikely. And now The Sorcerers Apprentice, directed by National Treasure helmer Jon Turteltaub and boasting that seriess star Nicolas Cage, has experienced a similar lack of enthusiasm and commercial success in its domestic market struggling to make an impact after opening at number three in the American box office in July. Obsessed with Film found Prince of Persia wholly unspectacular back in April, awarding it two and a half stars and The Sorcerers Apprentice which is very loosely based on the short from Fantasia which bares the same name doesnt fare much better. Like Prince of Persia, it is pretty much the definition of average. The special effects are up to the expected standard but offer nothing new. The direction is coherent, if uninspiring. The performers go through the motions playing to type, never embarrassing themselves but hardly breaking into a sweat either. Nicolas Cage is required to be hyper-intense as the sorcerer and Monica Bellucci is tasked with being beautiful as his love interest, whilst Alfred Molina is an endearing comic rogue and Jay Baruchel is ever the loveable schlemiel as the title character. The film has presumably been test screened to reach optimum levels of inoffensiveness. Take the kids, take gran: its all good clean fun in this Disney adventure. There isnt even the usual American dream element here to irritate you. It is conventional, with a believe in yourself moral, but Baruchel and Teresa Palmer (who plays his love interest) are pleasant and actually fairly sweet together, the end result being that you never want to bash either of them over the head with a large stick. Nor does the film treat its young audience members as though they are afflicted with a limited attention span. There is still some clumsy exposition, but generally you are told things and trusted to remember them, with less repetition than many recent films aimed at adults, including Inception and The A-Team (probably the worst offender).