Star Trek: 10 Things You Didn't Know About Wesley Crusher

10. The Mozart Effect

As fans have often pointed out, Wesley is a somewhat implausible character. He's the 'genius kid' who somehow managed to save the ship on countless occasions, the most egregious example of which came in Where No One Has Gone Before, wherein the Traveller memorably compared the teen to Mozart. Behind the fan hate for Wesley was the unrelatability of a precocious wonderchild whose biggest flaw in the beginning was nodding off during one of his nanotechnology experiments. For many, Wesley was the archetypal 'Mary Sue'.

It is not without a degree of historical irony that Star Trek: The Next Generation should have a 'Mary Sue' in its midst. It was, in fact, Star Trek that had defined the trope through its fanfiction. In a 1973 edition of her Trek fanzine Menagerie, Paula Smith published a parody piece entitled A Trekkie's Tale. Short and to the point, the story began as follows:

'Gee, golly, gosh, gloriosky,' thought Mary Sue as she stepped on the bridge of the Enterprise. 'Here I am, the youngest lieutenant in the fleet — only fifteen and a half years old.'

Through blistering satire, Smith had put a name to a character-type that she saw as all too prevalent in Trek fanfiction at the time — the absurdly hyper-competent, highly unrealistic, poorly written, and usually female, character beloved by all. Since, 'Mary Sue' has been applied beyond the realms of Star Trek as a descriptor for any character deemed unreasonably skilled and extremely admirable in just about every way. In male form, the 'Mary Sue' has equally come to be called the 'Gary Stu' or 'Marty Stu'.

It doesn't take the genius of a Mary Sue either to see a lot of Wesley in Smith's description. More Mary Sue than Mary Sue, in early development of the character, it was even suggested that "Wesley should be 'Acting' Lieutenant" (a demotion from "Commander," apparently), as per a memo from Robert Justman to Gene Roddenberry dated 8th November 1986 via The Trek Files.

The hate for Wesley has now been tempered to a degree, not least thanks to Wil Wheaton himself in recent years. Nevertheless, that initial characterisation and backlash still remains as a historical oddity. Wesley will always be the wunderkind, as the Traveller went on to describe, "not with music, but with the equally lovely intricacies of time, energy, propulsion…"

'Well, gee whiz, let's write a symphony on the strings of the universe!' the OG Mary Sue might have replied.