5 Things Joss Whedon's Firefly Did Best

By Laurence Gardner /

5. Genre Confusion

Polite Conversationalist: €œSo, you said your favourite show is Firefly, right? What€™s it about?€Me: €œWell, it€™s sort of like a Western, except it€™s in space and set in the future. So it€™s a Sci-Fi Western. Oh, and sometimes it€™s scary too... but it can be pretty funny at times. And there€™s crime. Um.€ This has happened to me more than once. It€™s a shame that modern television is so formulaic that it€™s actually quite hard to sell anything which doesn€™t sound like a successful show already in existence. I€™ve mentioned Buffy already, and when it came out it was pretty original. Nowadays, you can€™t swing a dead cat without a studio executive ducking under it and writing a script for a show about a pretty, misunderstood girl in high school/university/a quiet town who falls in love with a vampire/demon/republican. Now, genres exist for a reason, and there are plenty of great shows which are quite easily categorised. But there has to be something that makes your show stand out from the herd, and in Firefly€™s case there was a whole host of somethings. This mixture of genres could easily have been disconcerting, and perhaps it was for some people. Personally, I enjoyed the experience of downloading an episode and having no idea what kind of story I was in for this week. The show had an individual essence which was present throughout all of the episodes, derived from hundreds of tiny details, but it also managed to toe the line between horror, humour, action and sci-fi extremely well on a weekly basis. Bushwhacked is undeniably creepy, Jaynestown is both hilarious and heart-breaking and Heart of Gold was a good-natured Western romp. Not only does this give the show a feel which is completely unique, but also allowed it a huge scope when planning storylines.