A belly-to-belly through glass. Shane O'Mac leaping (multiple times) from the gantry. Slams through spotlights. Spears through the stage. Buried alive pits. The best stages were ones superstars could use as playgrounds. Sure, set interaction isn't dead, but there's a whole lot less to play with nowadays not least because scratching Vince's LED walls would be a big no-no. Whilst the PG-era put paid to backstage hardcore battles, there's no reason not to resurrect custom sets for out-of-ring experiences that supply big pops, the likes of which WWE would pay anything to hear again. Often you could see the spot coming a mile off and that made it great. Knowing there was a handily-placed piece of glass or dangerously-located lighting rig left you wondering who'd be the wrestler to make it go ka-boom, and that's something the sport desperately needs: intrigue.