10 Things Comic Fans Miss About Old DC Animation

Let's face it, the old stuff was much better.

Warner Bros.

For over 20 years now, Warner Bros. Animation has been producing some of the finest programmes and films in the business, with their most successful outings of course revolving around the titular heroes of the DC Universe.

Recently however? Their releases have been less than exemplary. The decline can be traced back to the demise of DC's old universe, with the New 52 sadly alienating a great deal of fans with its rupturing of continuity and unchecked editorial interference. Sadly, its roots have also worked their way into DC's once immaculate animated efforts, with films like Justice League: War and Son of Batman embedding themselves very comfortably in the annals of animated mediocrity.

Uniform art styles and rigid story telling never used to be the norms of Warner Bros.' animated adaptations, but they certainly are now. It's not just the films that have suffered either though - high quality TV programming has all been gradually eroded as executive focus turns its gaze towards toy sales - Young Justice and Green Lantern: The Animated Series being the most high profile of victims to this profit-making approach. In their wake came Beware The Batman and Teen Titans: Go!, and though the latter has won over fans in recent years, everyone still misses the old stuff.

For over a decade fans were treated to an animated universe unafraid to ask big questions, approach big themes, and tap into source material in a way like no other. For many, it proved to be their introduction to the world of capes and cowls - and what a fine one it was. Some may say that this is just unfettered nostalgia run awry, but it's hard to deny that DC Animation was at its best when the likes of Paul Dini, Bruce Timm and the late Dwayne McDuffie were at the helm.

Content Producer/Presenter

WhatCulture's very own resident movie guy, Ewan has been working in the content creation biz for over 10 years now, having started as a freelance contributor to WhatCulture Gaming all the way back in 2015. After graduating with a First-Class Honours in History from Northumbria University in 2017 (where he won a prize for a totally killer dissertation on the Watergate years), Ewan took on the role of Comics Editor at WhatCulture and quickly developed WhatCulture Comics into one of the biggest superhero-focused channels on YouTube. He followed this with a brief hiatus at Screen Rant in 2021, where he worked across the Gaming and Film sections as a writer and editor, before returning to WhatCulture as a Senior Content Producer / Presenter in 2023. He started his own podcast, We Love Dad Movies, in 2022, and has contributed several written pieces to the Eisner-nominated comics website Shelfdust as well. In his current role, Ewan incorporates his love of cinema, comic books, and history into written pieces and video essays for WhatCulture's Film & TV channel, as well as WhatCulture Gaming and WhatCulture Horror, with a particular focus on nineties-era Dad Movies, old school Westerns, and Golden Age Hollywood Noir. John Carpenter is his fave, and he thinks Batman Beyond should never have been cancelled. If that's your vibe, you'll probably like his stuff.