About the author: Andrew Martin
Upon choosing to study musical theatre intensively as a child and teenager, both in local classes and at the Usdan Center for the Creative and Performing Arts for three summers, Mr. Martin made his professional stage debut as a founding member of the internationally-acclaimed TADA! Youth Theater in 1984. Since that time, he has appeared on stages throughout the New York area and the Northeast as well as film and television.
In the late 1980s, he shifted his career slightly to include cabaret performance, garnering in the process a 1994 MAC Award nomination for Outstanding Male Musical Comedy, but in 1990 also became an entertainment reviewer and contributor for Night & Day Magazine as well as a weekly broadcast on New York Entertainment Digest on WRTN-FM. He has since been a reviewer for the weekly New York Native newspaper and eventually contributed to Back Stage and New England Entertainment Digest among myriad other publications, and also briefly co-hosted the “Cabaret Corner” segment with Roy Sander for the PBS program “New York Theatre Review,” broadcast in 1995 on WNYE-TV Channel 25. He also, in 1991, launched the nationwide magazine CaB which, though most largely focusing on cabaret and standup comedy, also covered theatre, film, television, recordings, jazz, performance art, dining, wine, travel, and every other cultural medium before closing the magazine officially in 1996.
By the mid-1990s, he shifted his performance career yet again to include work as a standup comedian and celebrity voice impersonator, and subsequently garnered acclaim for shows at the Comic Strip, the Comedy Cellar, Gotham Comedy Club, the Improvisation, Boston Comedy Club, the Duplex, Stand-Up NY and many other leading local laugheries. In 2001, he became a founding member of the sketch comedy group The Mistake, and along with founder Ken Scudder is currently the last remaining original member of the award-winning and critically-acclaimed company; Mr. Martin won a 2005 Spotlight-On Award for Outstanding Special Musical Material, and the group also won several awards in other categories over the following two seasons.
In 2007, Mr. Martin collaborated with Corbin Ross on the screenplay “Exit Laughing,” a biographical script about the late comedy legend Allan Sherman. He is currently developing scripts for two other true-life entertainment biopics; one is “Static: The Lena Zavaroni Story” and the other is “Everything is Beautiful: The Life of Dorothy Squires.” A fourth, “A Girl Named Timi,” focuses on the life and career of singer Timi Yuro. In 2009, Mr. Martin completed a script for an hour-long comedy pilot geared for cable television, entitled “Breach of Conduct,” which now hopes for release as a Web series beginning in 2013.
He also garnered a 2010 Planet Connections Award for Outstanding Supporting Actor in a Musical for his portrayal of Harwitz E. Green in “Green! The Musical” at the Gene Frankel Theatre, and followed with a theatrical appearance as the Butcher in “Son of a Butcher” by Grant Harrison, directed by Julian Leong as part of the annual “FrightFest” at 13th Street Repertory. More recently, he created the role of The Writer in the worldwide premiere of the one-man short play “The Entry,” presented as part of the 9th Annual Fresh Fruit Festival in New York City and directed by Carol Polcovar, with a script by legendary playwright and off-Off-Broadway co-founder Robert Patrick (“Kennedy’s Children,” “T-Shirts,” “Blue is for Boys,” etc). He will soon embody a featured role in the independent short film “Lillian” by Amanda Pennington, a lesbian love story based on Edna St. Vincent Millay’s poem, “What Lips My Lips Have Kissed,” starring acclaimed actress Kathleen Chalfant, and the featured role of pimp Johnny Long in the major motion picture "Dark Halls."
And he continues a career in entertainment journalism, contributing reviews of theatre, cabaret and books as well as a column on cabaret history to http://www.NiteLifeExchange.com, and in two weekly broadcasts for the historic NYC station WPAT 930 AM; a live webstream is available at http://www.wpat930am.com/.
Most recently, Mr. Martin has begun to find renown as a film historian. His first book, “All For The Best: Transferring Godspell From Stage To Screen,” about the 1972 filming of the musical mega-hit, was published by BearManor Media in November of 2011. A second book in two volumes, “Scene Stealers: The Supporting Actors and Actresses No One Could Ever Forget,” hopes to be published shortly, followed by “Sirens of Sepia: The Great Black Cinematic Actresses From the Silent Era Through the Present,” and then “For Want of a Nail,” which documents the life and career of cult film actress Shirley Stoler. In addition, he is currently trying to develop a documentary film about a specific area of the entertainment industry.
12 Comments
No Sweeney Tod or Little Shop Of Horrors?
Really? No Fiddler On The Roof? Or Boba_Gett’s suggestions? Or Mulan Rouge?
There are a lot of great musical films and South Park does not belong on this list. I enjoyed the film and it was funny, but it contradicts the entire theme of your piece.
What in the hot holy hell is Mulan Rouge? Nicole Kidman singing a Disney flick?
I agree with all of these except for the saccharine-enough-to-cause- cancer Yentl. That farce was clearly Babs trying to prove once and for all that she can gild a turd and mold it into an Oscar. If I want to see a musical about a cross-dresser, I’ll watch The Rocky Horror Picture Show!
Dietz and Schwartz wrote The Bandwagon score.
Argue if you can? Try me, sister. Hello, Dolly! is a much better movie that people give it credit for, it has a fantastic score, kick butt choreography and a wonderful performance from Streisand. It certainly isn’t on the level of awfulness as the Mame, A Chorus Line or A Little Night Music adaptions. The Bye, Bye Birdie movie is terrible, ask Dick van Dyke. Lerner, Comden and Green did not write the music of The Band Wagon, Arthur Schwartz and Howard Dietz did. Victor/Victoria is good but hardly deserved to be number 11, I mean better than Funny Girl? Hardly. Mary Poppins and The Sound of Music should be switched, The Sound of Music is a great movie but Mary Poppins is a work of art. South Park the number 1 greatest movie musical ever? You should seek counseling for even considering it.
No Chicago?
By the way, could your bio be any longer?
Could yours? Oh…that’s right.
These need to be on any list this long:
LITTLE SHOP OF HORRORS
THE ROCKY HORROR PICTURE SHOW
CHICAGO
YENTL over any of those above? I mean, the film was laughed out of theaters at the time of release, and hasn’t aged well, either.
That bio could be trimmed a bit, no? Or else, perhaps published in a three-part book series.
What?!? No “Yankee Doodle Dandy”? That film–and Cagney’s Oscar-winning performance in it–is sheer perfection. (But I greatly enjoyed reading what yong ypu’ve written.)
1 The Broadway Melody 1929,
2 42nd Street
3 I’m No Angel(Mae West)
4 Swing Time (Astaire and Rogers)
5 One Night of Love(Grace Moore)1934
6 Love Me Tonight 1932 Rogers and Hart
7 The Merry Widow 1934
8 Show Boat 1936
9 Naughty Marietta
10 Rose Marie
11 Maytime
12 The Wizard of Oz
13 The Great Waltz
14 Yankee Doodle Dandy
15 4 Jills In a Jeep
16 Because of Him (Deanna Durbin)
17 The Emporer Waltz (Bing Crosby)
18 State Fair
19 Kiss Me Kate
20 How To Succeed In Business Without Really Trying
21 Gigi
22 Carousel
23 Grease
24 Saturday Night Fever
25 De-Lovely