5 Silly Movies That Actually Had Profound Meanings

Why do we go see movies? The easiest answer, and the one that probably first springs to mind, is that…

Brendan Foley


Why do we go see movies? The easiest answer, and the one that probably first springs to mind, is that we go to the movies in order to be entertained.

And that is certainly a factor. While we can dissect the artistic merits of various films, make comments on the craftwork from various departments and artists, and debate the thematic resonance of a capital-G Great film, at the bottom line a film must possess some form of entertainment to be engaging.

That’s why one of the most exciting, invigorating forms of film is the silly one that manages to sneak some kind of profound, meaningful message into the audience. It’s a great moment in the life of a film fan, the dawning realization that you have witnessed something that’s truly special, something that has genuinely surprised you.

So, here are six films that are cartoonish and broad on the surface, but that carry an extra charge just underneath.


5. Pootie Tang

When you’re talking silly, they don’t come much sillier than Pootie Tang. A Blaxploitation-James Bond parody that’s shot with an eye towards live-action animation, Pootie Tang’s sub-eighty minute running time is packed to the gills with bizarre and nonsensical characters and sequences. This includes: a main character who speaks entirely in gibberish (“Sine Yo Pitty on the Runny Kine”) that everyone understands regardless, Chris Rock getting beaten to death by a gorilla, and Wanda Sykes unceasingly dancing on street corners, a la Rosie Perez in the Do the Right Thing opening credits.

But it might surprise you to learn that Pootie Tang was conceived, written and directed by none other than comedy mega-genius Louis CK. CK has come into his own as the perhaps the greatest stand-up comic currently, well, standing up, and as the auteur behind the brilliant FX sitcom Louie. While PT isn’t up to those standards, it shows in rough form the same deconstructive approach to the world that his later triumphs would perfect.

Pootie Tang, the film and character, is CK’s exploration and dissection of the entire culture of cool. After all, what the hell is ‘cool’, anyway? It’s an endlessly fluid term, constantly morphing at the behest of mass culture. How often do we look back at something that was once so popular, and gasp at the inanity of it. (Try watching a re-run of Saved by the Bell and see how long you can take the pastels before your eyes start to bleed. Go ahead, try.)

What CK did is push the notion of cool so far, into a world so dissociated from our own, that it becomes straight-up gibberish. Pootie Tang, the character, is every Blaxploitation ideal cranked up past eleven. That point gets lost in the studio-mandated silliness, but it’s there all the same.