In cinema history, there have been hundreds of films that have emerged as classics; titles which have defined – or redefined – their respective genres. All of you reading this will no doubt have your own personal favourites, just as I have mine.
They will vary from person to person, as we all have our own unique tastes, but there are always those which find their way into our DVD players time and time again. They are the films which have become regular sources of entertainment and a benchmark against which all other movies in that genre must be judged.
If you don’t know what I mean, check out some of my personal favourites below. They represent my top picks of movies that meet this criteria – however as I’m sure some of you will disagree with my choices, or will have additional titles to add to the list, please don’t hesitate to leave a comment below and share your opinions!
1. War Genre – Saving Private Ryan
Poignant, powerful, thought provoking and awe inspiring, films about war never fail to provide riveting viewing. One which achieved a certain degree of critical recognition upon its release (although not as much as I feel it deserved) and which has gone on to portray D-Day in many people’s collective consciousness is Spielberg’s epic ‘Saving Private Ryan’.
A representation far grittier and more visceral than the likes of ‘The Longest Day’, ‘Saving Private Ryan’ chronicles the Allied invasion of Normandy from the perspective of a fictional group of American GIs. As they traverse the sprawling French battlefield, dodging bunkers, machine gun nests and snipers, they cover terrain ranging from hostile beaches to shelled out cities. Along the way they face a diverse number of physical, mental and emotional challenges, including the unavoidable psychological stress of seeing their friends wounded and killed, but they continue on to achieve their mission and earn their ‘ticket home’.
In terms of visuals, ‘Saving Private Ryan’ presents the events of 1944 in a burnt out, monochromatic style, made possible through the fitting of ‘stripped out’ lenses to the cameras. This gives the entire film a similar aesthetic quality to the documentaries shot at the time, adding immeasurably to the film’s atmosphere and sense of authenticity. Likewise the script, which communicates feelings of joy, of hope, of pain, of suffering and of bitter reflection, keeps the viewer enthralled in the story without intruding or feeling unnecessarily forced. Lastly, the attention to detail afforded by the uniforms, the weapons, the vehicles and the locales (after visiting Omaha beach myself I can say that the beach in Ireland where the scenes were shot is pretty convincing) all help to immerse the viewer and make them feel like they were actually there.
After initial screenings of ‘Saving Private Ryan’, many veterans who attended commented on how the only thing missing was the smell; the rest remained as true as possible to the reality of war. It’s for this reason that it makes it to the top of my list, meaning that if you’re a fan of military history, or would just like something engaging and thought provoking to watch on a Sunday afternoon, buy the DVD, sit back and enjoy.
Other top picks: ‘Pearl Harbour’, ‘Jarhead’, ‘The Hurt Locker’, ‘Full Metal Jacket’, ‘Tears of the Sun’
Click “next” below for the Crime & Gangster genre…
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17 Comments
I don’t really think “Star Wars” redefined science fiction, “Kubrick’s 2001: Space Odissey” did, and if we really wanna talk about gangaster movies you should put “The Godfather” instead of “Goodfellas” (although a great movie). Just my thoughts. (:
Is this article meant to be about your favourite films from particular genres or films that redefine their genres like the title suggests? In my opinion a film that is truly redefining to its genre is much more objective than subjective, maybe that’s just me though.
Liked the article. I agree with a few of your choices. Couple of things though. It might’ve served you better to split sci-fi and fantasy films into different categories. Also what about dramas, horror, comic book and action movies? I’m guessing you may not be as big a fan of those genres, otherwise why omit them? Lastly, Steven Spielberg directed all the Indiana Jones movies, Lucas produced and wrote the stories ;)
I wouldn’t say The Hangover necessarily redefined its genre simply because since that the only thing of its ilk to follow was The Hangover 2…Plus The Hangover really isn’t funny.
If any film redefined the comedy genre it would be 40 Year Old Virgin; heart felt storylines with just out there, crude comedy this film has been the mould for everything that has followed: Knocked Up, Superbad, 21 Jump Street, The Change Up, Horrible Bosses.
All films that copy that same humour and style because of the legacy left by 40 year old virgin.
I’d also say Platoon was the most groundbreaking War film.
The first real high profile film that went out with a mission statement on realistic warfare; people are evil. Bad things happen to good people. The war is ridiculous. All that kind of stuff, not really seen before and especially not in America.
Saving Private Ryan is realistic; but still a pretty dull war film. Good guys on quest. Kill bad guys. Good guys die along way. Bad guys lose.
This goes out to all the What Culture Staff – cinema did exist before Star Wars. There are such things as movies that were made before 1977 you know.
I don’t agree with this disappointing list. It seems to be a personal fav list (for whatever reasons) of someone who isn’t much interested in other than entertainment movies. F.e., in which way should ‘The Hangover’ have “redefined” the comedy genre? Through being a lot more vulgar than, let’s say, one of the classic Peter Sellers’ comedies? Hardly.
Or ‘Saving Private Ryan’, how did it “redefine” a war movie made like – hmmm – ‘Paths of Glory’ or ‘Born on fourth of July’?
Next: “road movies” are NOT identical with the “car chase genre”. A “road movie” means usually a metaphor for the characters’ change and development throughout the journey (f.e. in ‘Rain Man’ or ‘The Straight story’ or even ‘Finding Nemo’), car chases are imho simply meant to be exciting.
Every single list of this kind is populated with selections that are derived from opinions. This list, on that basis, is no different from the lists my fellow commentors would have preferred to have seen.
This list, IMHO, is well written, thoughtfully composed and entertaining which is all anyone could ask for.
the guy who wrote this list is 22 years old and “loves cars” – which explains a lot. no need to discuss this b/s any further.
The problem with creating a list like this is that it brings out the haters who get incensed because their picks weren’t on there; or the picks they hate were listed. Even if you include a disclaimer and invite discourse/dissent, there always seem to be a group that is determined to rudely piss on what you’ve said.
I liked the listing here; it offered some food for thought, which was the author’s purpose. I wouldn’t have picked “The Hangover,” but that’s because I’ve not seen it.
The real problem with this kind of list is that it’s too general; there have been too many sub-genres defined. For example: Science fiction has fantasy (i.e.: “Lord of the Rings”), cyberpunk (“Matrix”), space opera (“Star Wars,” “Star Trek”), drama (“E.T.”), comedy (“Ghostbusters”), comic books (the collected works of Marvel and DC, among others), horror (“Alien”), action (“Aliens”), dystopian (“The Hunger Games”) and more.
I can just hear the haters clicking their keyboards in protest over what I’ve forgotten, included or mislabeled, in their opinion. To them I would say: Lists are subjective. Instead of dropping hate bombs, make your points in a rational manner. I don’t object to your listing what you think was neglected, forgotten or mis-used. I object to incivility. You are fulfilling the oft-used meme of the uncivil nature of the comment section. If you want to hate, go to Fark.com.
Saving Private Ryan, really?
Shameful. Paths of Glory, Battleship Potemkin and many others obliterate this film.
And in general, this doesn’t work. Goodfellas over the Godfather, Star Wars over Metropolis. Come on.
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