Blu-ray Review: HORRIBLE BOSSES - Every Worker's Fantasy
So your boss is a jerk, who yanks your chain and treats you like crap, making you hate your job with a vengeance. You need to check out today's Blu-ray release of hit comedy Horrible Bosses to realise just how lucky you are!
So your boss is a jerk, who yanks your chain and treats you like crap, making you hate your job with a vengeance. You need to check out today's Blu-ray release of hit comedy Horrible Bosses to realise just how lucky you are! But before you do, read on for our review... Management candidate Nick Hendricks (Jason Bateman) has been logging 12-hour days and eating everything his twisted supervisor Dave Harken (Kevin Spacey) dishes out, toward the promise of a well-earned promotion. But now he knows thats never going to happen. Meanwhile, dental assistant Dale Arbus (Charlie Day) has been struggling to maintain his self-respect against the relentless X-rated advances of Dr. Julia Harris, D.D.S. (Jennifer Aniston), when she suddenly turns ups the heat. Accountant Kurt Buckman (Jason Sudeikis) has just learned that his companys corrupt new owner, Bobby Pellit (Colin Farrell), is not only bent on ruining his career but plans to funnel toxic waste into an unsuspecting population. What can you do when your boss is a psycho, a man-eater or a total tool? Quitting is not an option. These monsters must be stopped. So on the strength of a few too many drinks and some dubious advice from a hustling ex-con (Jamie Foxx) whose street cred is priced on a sliding scale, the guys devise a convoluted but foolproof plan to rid the world of their respective employers. But even the best-laid plans are only as good as the brains behind them... Horrible Bosses is another film that follows in the vein of the current string of Buddy Movies that have engulfed the comedy genre over the past couple of years. Films such as The Hangover (and its sequel), Due Date and Hall Pass to name but a few have proved box office dynamite with cinemagoers and Horrible Bosses can only be considered the next edition in what is likely to be a long line such comedies. This doesnt mean that Horrible Bosses is a horrible film though. However, it does mean that most viewers will have undoubtedly seen something along similar lines countless times before. The film has its moments of laugh-out-loud comedy the scene where the trio break in to Pellits house is a riot, for example, and the sequence that sees Dale save Nicks boss Harken from an allergic reaction but theres also a number of instances that dont quite hit the mark (for example, Kurts attempt to hit on a Fed Ex girl is slightly cringe worthy). As a buddy comedy the film works well. Theres a great sense of chemistry between the lead characters and viewers wont doubt that Nick, Dale and Kurt have each others backs. Director Seth Gordon also cleverly sticks to a series of three shots for the majority of the scenes, keeping the characters framed together and the audience from doubting their bond. What Horrible Bosses does stumble on is its balance between characters and the comedy surrounding them as individuals. Gordons repetitive use of the 3 shot makes the lead trio almost become one character, which works well with the buddy movie angle, but means that viewers miss out on extended sequences with their relative horrible bosses. Whilst there are a series of sequences that obviously demonstrate the strained relationships Nick, Dale and Kurt have with their employers, Spacey, Aniston and Farrell (in particular) feel rather underused, as the majority of sequences centre around the former three and their antics during planning the latter threes murders. The most hilarious scenes are undoubtedly those between the protagonists and their bosses, so its a shame that these arent more frequent. Horrible Bosses is certainly worth a watch, but just dont expect to laugh so much that a little bit of pee comes out! As well as pertaining to the tropes of the buddy comedy movie, Horrible Bosses also feels like it pays a tongue in cheek homage to Alfred Hitchcocks Strangers On a Train: a tale that sees two strangers (who, yes, you guessed it...meet on a train) agree to commit each others desired murders. The twisted, humorous version here lacks the suspense and accomplished handling that Hitchcocks masterpiece achieves, but as a starting point it proves a solid premise for the dark comedy of the film and the expression of audiences deepest, most perverse desires against their bosses! Arguably, the film can also be seen as a male answer to the 1980s camp classic 9 to 5, which starred Jane Fonda, Lily Tomlin and Dolly Parton as three women tired of being oppressed by their egotistical, misogynistic boss. Similarly to 9 to 5, Horrible Bosses plays up the fun and fantasy elements within the narrative without any real detrimental consequences for the characters come the conclusion. The glue that binds the film together and keeps it from becoming a total waste of time is definitely the casting. All of the key performers give solid portrayals of their characters and will keep viewers engaged even when the narrative strays too far from mind numbingly funny. Jason Bateman brings his usual charm and excellent sense of comic timing to the rather straight-laced Nick, convincing as the grounded branch of the trio who prevents them from free-falling into complete insanity (although he doesnt stop them from acting entirely ridiculously!). Bateman brings a dry sense of humour to the proceedings and adds a sense of intelligence to his performance, making Nick the sanest of the three friends. Charlie Day is the perfect blend of neurosis and geeky charisma. Its instantly hilarious to consider that the nymphomaniac Julia (a mighty fine Jennifer Aniston in a brunette wig and little else !) is even remotely attracted to the gawky and rather nervous Dale. Dale is responsible for the initiation of the plan to dispose of the trios bosses and Day manages to make the character completely clueless, hilarious and extremely likeable. The repeated joke about the fact Dale has ended up on the Sex Offenders Register after peeing in a deserted childrens playground whilst drunk further establishes the character as a joke and Days performance runs with this to be one of the funniest in the film. Jason Sudeikis is less appealing than Day and Bateman, coming across as an almost cardboard cut out of virtually any character he has previously played. His screen persona seems to vary very little from project to project, which makes him the least engaging of all the films stars. Having said that, he manages to generate enough laughs to refrain from becoming boring and his dry sense of humour compliments that of Batemans, particularly when the two gang up on Dale. The real stars of the film though are undoubtedly Spacey, Aniston and Farrell in the roles of the horrible bosses. All three give fantastically theatrical and over the top performances, helping heighten the comedy. Spacey takes inspiration from his detestable character in Swimming With Sharks and gives a highly absurd and riotous performance. The actor blends both his dramatic and comedy experience to effectively play a psychopathic villain and a hysterically comic-book style horrible boss. Spacey perfectly captures the mean spirit of Harken in the sequence that sees him laugh uncontrollably when discovering Nick used to call his deceased Grandmother Gam Gam! His performance relies a lot on facial expression and he brilliantly captures the unhinged and maniacal elements of the character in his exaggerated expressions. Jennifer Aniston steps away from her typical role as the girl next door, rom com heroine and moves into unchartered comedy waters as the hilarious whore, Dr. Harris. Aniston makes the transition from sweet and relatable well and proves that she is actually an adept enough actress to handle more versatile roles. She sometimes doesnt quite convince as the nymphomaniac character she is supposed to be, but for the most part she is extremely funny within the role. Her chemistry with Charlie Day is first-rate and she gives a performance that suggests she is undressing him with her eyes every time he enters the room. Combined with Days scatty performance, Aniston chews the scenery with a riotously theatrical portrayal that effectively makes audiences feel as uncomfortable as Dale does in many scenes! Colin Farrell gives an immense performance here as the obnoxious smack-head and truly abhorrent Pellit, who inherits his fathers chemicals company after his death. Removing himself from his usual roguish good looks, Farrell dons a paunch, receding hairline and a wardrobe fitting of a total douche and he uses these to sink his teeth into the role. Hes sorely underused receiving less screen time than either Aniston or Spacey but the moments he is on screen are probably the best in the film. Nailing each and every joke (hes hilarious when he delivers his theory on trimming the fat of the office in a completely dead pan way!) Farrell is by far the funniest performer in the film. In fact hes so convincing in his role as a complete and utter tool that Im beginning to wonder whether he might actually be one in real life...