I’m a big fan of Quentin Tarantino, there’s no denying it. The man knows how to make a film, and has yet to deliver a disappointment. From “Kill Bill” to “Inglorious Basterds,” Tarantino can spin a fine story for his audience like no other while reveling in the magic of film and the power of pop culture.
Since his breakout hit “Pulp Fiction” debuted in theaters, endless indie and up-and-coming filmmakers have aped the storytelling style of Tarantino to no end. Some have even managed to get away with it and have used it to fuel their careers. Tarantino is a man who admittedly apes his directorial style from other directors who influenced him, so in the end it doesn’t make a lot of sense to mimic Tarantino. But lo and behold, many have and still do to this day, delivering films that are almost Tarantino but not quite.
These are ten films clearly influenced by Quentin and in some cases are love letters to him but that Quentin himself never directed.
10. Smokin’ Aces
Joe Carnahan’s guilty pleasure “Smokin’ Aces” apes the style and narrative structure of a Tarantino film while also trying to mimic the spastic energy of a Guy Ritchie crime thriller. For the most part he pulls it off but it’s a film that never quite has a style all of its own. It’s either a film mimicking Tarantino or Ritchie and straddles that thin line throughout the entire run time.
Featuring a slew of character actors in major and minor roles (Ben Affleck has a blink and you’ll miss it role), “Smokin’ Aces” is your typical ensemble picture that spotlights a slew of despicable mercenaries and criminals, all in an effort to assassinate a local magician who has become a mafia informant. Ryan Reynolds plays his assigned protector, while much of the film is devoted to centering in on these criminals, all of whom have their own sub-plots, back stories, gruesome fates, and extended monologues. There’s also a twist ending where it all “comes together” while Carnahan delivers a solid film.
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11 Comments
Awesome article and awesome list.
REALLY shocked to see The Devils Rejects at number 1 but shocked in a great way. I actually thought after watching The Devils Rejects that zombie could carve a career as horrors answer to tarantino. Great film and one of my faves.
My only other inclusion would of been “Drive”. Great film thats better than anything Tarantino has done in a while. I would of also like to included it as Tarantino himself put Drive down in a he’s “Nice Try Award” which i think is extremely cheeky.
Awesome article.
I consider “Drive” more a Michael Mann tribute than a Tarantino wannabe.
Furthermore why would you miss something as obvious as Killing Zoe?
Well it is a ten spot, and I didn’t actually think to include it. Maybe I’ll make a sequel all for you.
i think ‘Drive’ is inspired from Death proof,Taxi driver,Transporter.DeathProof is what it was supposed to be- grindhouse,exploitation film,its very underrated. and Drive is a good film but not great.
True Romance?
and perhaps Natural Born Killers, although perhaps not quite as much
Oh – and when Get Shorty came out I was sure it was an attempt to quasi sequel pulp fiction, down to casting Travolta. Very entertaining movie.
comparing Drive to other films with cars in is a little dumb.
its nothing like any of them with a very thin exception to Taxi Driver.
Not a good list at all! I think these movies should have definitely made the list:
1. Things to do in Denver when you’re dead.
2. Lucky Number Slevin
3. Drive
4. Leon
5. Boondock Saints
6. Lock Stock and two Smoking Barrels
7. History of Violence
How is Devil’s Reject in there? Is this a Top 10 Eli Roth not directed list?? And Dusk till dawn, is just a pure lazy add on. Kudos for digging out Go.
Felix- please look up synonyms for “ape” and “channel”. Thanks.
The Usual Suspects dwarfs everything Tarantino’s ever done. It’s a film with Tarantino-esuqe characters, but lacks Tarantino qualities; like over-statement, constant macho bravado, and dialogue heavy exposition.
It’s a movie that tells you everything, and then WITHOUT A WORD tells you that it was all a lie. THAT is brilliance, and it’s something Tarantino’s never been able to do.