What would a movie be without music? Boring, slow and even perhaps a bit weird – you most likely would not want to see it. But if you were to go up to someone and ask who wrote the score for Superman or Avatar, many would not know, which to me is a real shame. Why? Music adds so much more to a movie, making a simple kiss into the most romantic scene, a chase through a forest exciting yet terrifying and a death heartbreaking. Music is such an important aspect of the movie industry, and the composer’s do such an amazing job almost all the time, which I believe should be much more appreciated.
Here are my Top 5 composers I think you should know about -
Special Mention: Alan Silvestri, an american composer, known for collaborating on many occasions with director Robert Zemeckis, wrote the score for the following – Romancing The Stone, Back To The Future Trilogy, Predator 1 & 2, Who Framed Rodger Rabbit, Forrest Gump, Cast Away, Captain America and The Avengers. Those are some awesome movies, with great music.
5. James Horner
| Birth name | James Roy Horner |
|---|---|
| Born | August 14, 1953 (age 59) |
| Origin | Los Angeles, U.S. |
| Genres | Film Score |
| Occupations | Composer |
| Instruments | Piano |
| Years active | 1979–present |
James Horner, is known for using choral and electronic elements in many of his film scores along with frequent use of Celtic musical elements. He has scored over 100 films and won many awards. I particularly like his use of choir’s, his music has a very ‘Sheer Awe and Wonder’ feel to it, especially for Avatar and the work he did for The Amazing Spiderman was excellent, it has a real mystery yet adventure tone.
Notable Films – Braveheart, Aliens, The Mask Of Zorro, Jumanji, Apollo 13, Mighty Joe Young, Titanic, Avatar, and The Amazing Spiderman.
Trivia – His 1997 soundtrack for Titanic became and still is the best selling orchestral film soundtrack of all time.
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9 Comments
Can’t go wrong with Elfman, Zimmer & Williams. Maybe Morricone too, although he isn’t quite the same style.
Other names were the list to be expanded: Alan Silvestri, Maurice Jarre, Howard Shore, Elmer Bernstein, John Barry, Jerry Goldsmith.
Michael Giacchino is missed on the list, as well as Jerry Goldsmith, and although vastly different, both have scored iconic and ultimately moving pieces. Giacchino scored, obviously, Lost as well as Mission Impossible, (3 and 4), and the newest, John Carter. His Lost themes are at once heart breaking and inspirational, with use of piano, discordant and then, resolving tones from the piano and strings. Goldsmith, notably with The Omen, and more recently Rudy, sets the mood using completely different styles for each. (He was one of the most prolific writers of movie soundtracks in the seventies and eighties-I just picked those two because of how different they are as far as story telling). Jerry Golsmith could blend into a film, and while you could probably pick out John Williams, or Hans Zimmer, right away, Goldsmith changes with each soundtrack. Giacchino and Goldsmith are definitely two that should be known.
Hans Zimmer didn’t compose ‘He’s a Pirate’ it was Klaus Badelt, Hans scored Pirates 2, 3 and 4 Klaus scored 1. And Alexandre DeSplat is also very good :)
Actually, he was approached by the director to score this film but due to conflicts, handed it to Klaus Badelt, his work college. Hans did submit some of the themes, this being one of them, he just wasn’t credited.
John Williams actually stole the musical scores from movies like Jaws and Star Wars from other artists.
http://www.cracked.com/article_19848_7-famous-musicians-who-stole-some-their-biggest-hits_p2.html
Ennio Morricone! The greatest composer of all time!
Newton Howard’s Blood Diamond score I have to say is one of wonders.
Clint Mansell’s work on “The Fountain” is indescribable.
http://www.youtube.com/watch?v=3ZDpqDpIsfs
JOE HISAISHI – Pretty much most of Hayao Miyazaki’s films. UNDERRATED AS HELL