10 WWE No Mercy 2017 Impulse Reactions

Toothless Agression

Cesaro Sheamus
twitter.com/WWECesaro

Lots of talk ahead of WWE No Mercy 2017 centred around the card being just too stacked. An astonishing feat considering the amount of content the company churns out through the Network, the narrow-minded consideration also failed to acknowledge that any show has the potential to be special, not just the ones WWE tells you to care about.

Predictably, not every match could live up to enormous expectations (more on that later), which in fact perhaps highlights why the company were shrewd enough to debut the pairings on a lesser stage. Contests can always be reheated, especially around WrestleMania season, and a quick visual of just how well (or poorly) things can go offers the company valuable time to assess what they have and crucially, what they might still need.

If this show, July's Great Balls Of Fire pay-per-view and the countless major television matches that have taken place particularly on SmackDown Live! this year tell us anything, it's that the organisation would rather use the match once with the hope of doing it again, than never get around to it at all.

If Roman Reigns really did retire The Undertaker, then John Cena never got to have his 'Show Of Shows' battle with 'The Deadman'. Avoiding similar occurrences to at least get ratings or new subscribers may become a regular trial for WWE, but as a fan, it's best to just relish the good times before 'B-Shows' become forgettable all over again.

10. Walk With Elias

Cesaro Sheamus
WWE.com

With most assuming that a throwaway effort featuring The Hardy Boyz, Luke Gallows and Karl Anderson would make it onto yet another laboured pre-show kickoff, it was a pleasant surprise when the lights dimmed for Elias to steal yet another supercard curtain-raiser.

Tearing up Brooklyn on SummerSlam's extended pregame show, Elias joined The New Day and The Usos in making that hype job the company's best ever, and did his best again with another p*ss-funny take down of event locale Los Angeles.

Less entertaining was the match that followed, but that's both a sad indictment on the former 'Drifter's current limitations and the main roster collapse of his once-promising opponent.

Apollo Crews exists in a disparate space on the main roster as a profoundly unover lower card act that simply has too much in the remainder of his offering to be left off the show entirely.

Still a charisma vacuum and gaining little real or storyline wisdom from Titus O'Neil, Crews' admittedly enjoyable offence is stifled in its impact by his robust failure to form an emotional connection with the audience. A polar opposite, Elias offers little bell-to-bell but has at least found that bond. This being WWE, to that victor went the spoils.

With Apollo ostensibly in control, Elias nailed Drift Away for the win, and put the boots to his fallen foe in the aftermath.

Contributor
Contributor

Michael is a writer, editor, podcaster and presenter for WhatCulture Wrestling, and has been with the organisation over 7 years. He primarily produces written, audio and video content on WWE and AEW, but also provides knowledge and insights on all aspects of the wrestling industry thanks to a passion for it dating back over 30 years. As one third of "The Dadley Boyz", Michael has contributed to the huge rise in popularity of the WhatCulture Wrestling Podcast, earning it top spot in the UK's wrestling podcast charts with well over 50,000,000 total downloads. He has been featured as a wrestling analyst for the Tampa Bay Times and Sports Guys Talking Wrestling, and has covered milestone events in New York, Dallas, Las Vegas, London and Cardiff. Michael's background in media stretches beyond wrestling coverage, with a degree in Journalism from the University Of Sunderland (2:1) and a series of published articles in sports, music and culture magazines The Crack, A Love Supreme and Pilot. When not offering his voice up for daily wrestling podcasts, he can be found losing it singing far too loud watching his favourite bands play live. Follow him on X/Twitter - @MichaelHamflett